As You Like It

Act 2, Scene 7

Modern spelling. Stage directions omitted.

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DUKE SENIOR

I think he be transformed into a beast,
For I can nowhere find him like a man.

FIRST LORD

My lord, he is but even now gone ;
Here was he merry, hearing of a song.

DUKE SENIOR

If he, compact of jars, grow musical,
We shall have shortly discord in the spheres.
Go seek him, tell him I would speak with him.

FIRST LORD

He saves my labour by his own approach.

DUKE SENIOR

Why, how now, monsieur? What a life is this
That your poor friends must woo your company?
What, you look merrily.

JAQUES

A fool, a fool! I met a fool i’ th’ forest,
A motley fool. A miserable world!
As I do live by food, I met a fool,
Who laid him down and basked him in the sun,
And railed on Lady Fortune in good terms,
In good set terms, and yet a motley fool.
“Good morrow, fool,” quoth I. “No, sir,” quoth he,
“Call me not fool till heaven sent me fortune.”
And then he drew a dial from his poke,
And, looking on it with lack-lustre eye,
Says very wisely, “It is ten o’clock.
Thus we may see,” quoth he, “how the world wags.
but an hour ago since it was nine,
And after one hour more ’twill be eleven.
And so from hour to hour we ripe and ripe,
And then from hour to hour we rot and rot,
And thereby hangs a tale.” When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deep-contemplative,
And I did laugh sans intermission
An hour by his dial. O noble fool!
A worthy fool! Motley’s the only wear.

DUKE SENIOR

What fool is this?

JAQUES

O worthy fool!—One that been a courtier,
And says if ladies be but young and fair,
They have the gift to know it. And in his brain,
Which is as dry as the remainder biscuit
After a voyage, he strange places crammed
With observation, the which he vents
In mangled forms. O that I were a fool!
I am ambitious for a motley coat.

DUKE SENIOR

have one.

JAQUES

It is my only suit,
Provided that you weed your better judgements
Of all opinion that grows rank in them
That I am wise. I must have liberty
, as large a charter as the wind,
To blow on whom I please, for so fools have.
And they that are most galled with my folly,
They most must laugh. And why, sir, must they so?
The “why” is plain as way to parish church.
He that a fool very wisely hit
very foolishly, although he smart,
Not to seem senseless of the bob. If not,
The wise man’s folly is anatomized
Even by the squandering glances of the fool.
Invest me in my motley. Give me leave
To speak my mind, and I will through and through
Cleanse the foul body of th’ infected world,
If they will patiently receive my medicine.

DUKE SENIOR

Fie on ! I can tell what do.

JAQUES

What, for a counter, would I do but good?

DUKE SENIOR

Most mischievous foul sin, in chiding sin;
For thyself been a libertine,
As sensual as the brutish sting itself,
And all th’ embossed sores and headed evils
That with license of free foot caught
disgorge into the general world.

JAQUES

Why, who cries out on pride
That can therein tax any private party?
it not flow as hugely as the sea
Till that the weary very means do ebb?
What woman in the city do I name
When that I say the city-woman bears
The cost of princes on unworthy shoulders?
Who can come in and say that I mean her,
When such a one as she, such is her neighbour?
Or what is he of basest function
That says his bravery is not on my cost,
Thinking that I mean him, but therein suits
His folly to the mettle of my speech?
There then. How then, what then? Let me see wherein
My tongue wronged him. If it do him right,
Then he wronged himself. If he be free,
Why then my taxing like a wild-goose flies
Unclaimed of any man. But who comes here?

ORLANDO

Forbear, and eat no more.

JAQUES

Why, I have eat none yet.

ORLANDO

Nor not till necessity be served.

JAQUES

Of what kind should this cock come of?

DUKE SENIOR

Art thus boldened, man, by distress?
Or else a rude despiser of good manners,
That in civility seem’st so empty?

ORLANDO

You touched my vein at first. The thorny point
Of bare distress ta’en from me the show
Of smooth civility; yet am I inland bred
And know some nurture. But forbear, I say!
He dies that touches any of this fruit
Till I and my affairs are answered.

JAQUES

An you will not be answered with reason, I must die.

DUKE SENIOR

What would you have? Your gentleness shall force
More than your force move us to gentleness.

ORLANDO

I almost die for food, and let me have it.

DUKE SENIOR

Sit down and feed, and welcome to our table.

ORLANDO

Speak you so gently? Pardon me, I pray you.
I thought that all things had been savage here
And therefore put I on the countenance
Of stern commandment. But whate’er you are
That in this desert inaccessible,
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time,
If ever you have looked on better days,
If ever been where bells have knolled to church,
If ever sat at any good man’s feast,
If ever from your eyelids wiped a tear,
And know what to pity and be pitied,
Let gentleness my strong enforcement be,
In the which hope I blush and hide my sword.

DUKE SENIOR

True is it that we have seen better days,
And have with holy bell been knolled to church,
And sat at good men’s feasts, and wiped our eyes
Of drops that sacred pity engendered.
And therefore sit you down in gentleness,
And take upon command what help we have
That to your wanting may be ministered.

ORLANDO

Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn,
And give it food. There is an old poor man
Who after me many a weary step
Limped in pure love. Till he be first sufficed,
Oppressed with two weak evils, age and hunger,
I will not touch a bit.

DUKE SENIOR

Go find him out,
And we will nothing waste till you return.

ORLANDO

I thank , and be blest for your good comfort.

DUKE SENIOR

seest we are not all alone unhappy.
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.

JAQUES

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

DUKE SENIOR

Welcome. Set down your venerable burden,
And let him feed.

ORLANDO

I thank you most for him.

ADAM

So had you need;
I scarce can speak to thank you for myself.

DUKE SENIOR

Welcome, fall to. I will not trouble you
As yet to question you about your fortunes.
Give us some music, and good cousin, sing.

DUKE SENIOR

AMIENS. (Sings.)
Blow, blow, winter wind,
art not so unkind
As man’s ingratitude.
tooth is not so keen,
Because art not seen,
Although breath be rude.
Heigh-ho, sing heigh-ho, unto the green holly.
Most friendship is feigning, most loving mere folly.
Then, heigh-ho, the holly!
This life is most jolly.

DUKE SENIOR

Freeze, freeze, bitter sky,
That not bite so nigh
As benefits forgot.
Though the waters warp,
sting is not so sharp
As friend remembered not.
Heigh-ho, sing heigh-ho, unto the green holly.
Most friendship is feigning, most loving mere folly.
Then, heigh-ho, the holly!
This life is most jolly.

DUKE SENIOR

If that you were the good Sir Rowland’s son,
As you have whispered faithfully you were,
And as mine eye his effigies witness
Most truly limned and living in your face,
Be truly welcome . I am the Duke
That loved your father. The residue of your fortune
Go to my cave and tell me.—Good old man,
art right welcome as master is.
Support him by the arm. Give me your hand,
And let me all your fortunes understand.

All of As You Like It

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5Act 2, Scene 6Act 2, Scene 7,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3Act 5, Scene 4,

Opening and close

Epilogue

Open As You Like It in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.