Literature as a starting point
TEACHING
LITERATURE
& WRITING.
Teaching & mentorship
I believe students learn literary analysis by reading sophisticated texts and taking intellectual risks. In my courses, they weigh conflicting interpretations against the evidence of a text and develop original, defensible claims.
The classroom
Composition courses / TaughtEVIDENCE.
INTERPRETATION.
ARGUMENT.
I ask students to reassess transgressive female characters such as Chaucer’s Wife of Bath and Lady Macbeth through close reading and thesis-driven arguments. Students compare these representations with the work of later female authors, including Emily Dickinson and Maya Angelou, and test familiar critical interpretations against textual evidence.
2026English Composition IUniversity of Alabama at Birmingham · EH 101
Instructor of record, Fall 2026. First-year composition focused on evaluating evidence, developing arguments, and revising with a clear purpose.
Composition · Currently teaching
Spring 2024
Fall 2023
Spring 2023Ecocritical ShakespeareUniversity of Miami · ENG 106
At the intersection of literature and environmental studies, students read Shakespeare’s plays alongside modern performances and films to develop rhetorical arguments about environmental ethics. Work by Walt Whitman, Claudia Rankine, Northrop Frye, and Julie Taymor helped them consider how literary interpretation shapes our understanding of the natural world.
Composition · Previously taught
Fall 2022
Spring 2022
Fall 2020First-Year Writing IUniversity of Miami · WRS 105
In this introductory course in university writing, I asked students to think and write critically about a variety of topics.
Composition · Previously taught
Spring 2021
Fall 2021Bad Women in Medieval and Early Modern LiteratureUniversity of Miami · ENG 106
I ask students to reassess transgressive female characters such as Chaucer’s Wife of Bath and Lady Macbeth through close reading and thesis-driven arguments. Students compare these representations with the work of later female authors, including Emily Dickinson and Maya Angelou, and test familiar critical interpretations against textual evidence.
Read the courseComposition · Previously taught
My teaching experience also includes mentorship for first-generation college students and writing center tutoring.
Research meets the classroom
HOW DO WE
COME TO KNOW?
My dissertation examines how Shakespeare and other dramatists used live performance to produce knowledge about the female body.
Read about the researchTeaching, mentorship & conversation
Birmingham, Alabama
LET’S TALK.
For research collaborations, teaching, and scholarly conversation.
sms512@miami.edu