Twelfth Night

Act 4, Scene 2

Modern spelling. Stage directions omitted.

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MARIA

Nay, I , put on this gown and this beard; make him believe art Sir Topas the curate. Do it quickly. I’ll call Sir Toby the whilst.

CLOWN

Well, I’ll put it on, and I will dissemble myself in’t, and I would I were the first that ever dissembled in such a gown. I am not tall enough to become the function well, nor lean enough to be thought a good student, but to be said, an honest man and a good housekeeper goes as fairly as to say, a careful man and a great scholar. The competitors enter.

SIR TOBY

Jove bless , Master Parson.

CLOWN

Bonos dies, Sir Toby: for as the old hermit of Prague, that never saw pen and ink, very wittily said to a niece of King Gorboduc, ‘That that is, is’: so I, being Master Parson, am Master Parson; for what is ‘that’ but ‘that’? and ‘is’ but ‘is’?

SIR TOBY

To him, Sir Topas.

CLOWN

What ho, I say! Peace in this prison!

SIR TOBY

The counterfeits well. A good .

MALVOLIO

Who calls there?

CLOWN

Sir Topas the curate, who comes to visit Malvolio the lunatic.

MALVOLIO

Sir Topas, Sir Topas, good Sir Topas, go to my lady.

CLOWN

Out, hyperbolical fiend! how vexest this man? Talkest nothing but of ladies?

SIR TOBY

Well said, Master Parson.

MALVOLIO

Sir Topas, never was man thus wronged. Good Sir Topas, do not think I am mad. They have laid me here in hideous darkness.

CLOWN

Fie, dishonest Satan! I call by the most modest terms, for I am one of those gentle ones that will use the devil himself with courtesy. Say’st that house is dark?

MALVOLIO

As hell, Sir Topas.

CLOWN

Why, it bay windows transparent as barricadoes, and the clerestories toward the south-north are as lustrous as ebony; and yet complainest of obstruction?

MALVOLIO

I am not mad, Sir Topas. I say to you this house is dark.

CLOWN

Madman, errest. I say there is no darkness but ignorance, in which art more puzzled than the Egyptians in their fog.

MALVOLIO

I say this house is as dark as ignorance, though ignorance were as dark as hell; and I say there was never man thus abused. I am no more mad than you are. Make the trial of it in any constant question.

CLOWN

What is the opinion of Pythagoras concerning wildfowl?

MALVOLIO

That the soul of our grandam might haply inhabit a bird.

CLOWN

What think’st of his opinion?

MALVOLIO

I think nobly of the soul, and no way approve his opinion.

CLOWN

Fare well. Remain still in darkness. hold the opinion of Pythagoras I will allow of wits, and fear to kill a woodcock, lest dispossess the soul of grandam. Fare well.

MALVOLIO

Sir Topas, Sir Topas!

SIR TOBY

My most exquisite Sir Topas!

CLOWN

Nay, I am for all waters.

MARIA

mightst have done this without beard and gown. He sees not.

SIR TOBY

To him in own voice, and bring me word how find’st him. I would we were well rid of this knavery. If he may be conveniently delivered, I would he were, for I am now so far in offence with my niece that I cannot pursue with any safety this sport to the upshot. Come by and by to my chamber.

CLOWN

Hey, Robin, jolly Robin,
Tell me how lady does.

MALVOLIO

Fool!

CLOWN

My lady is unkind, perdy.

MALVOLIO

Fool!

CLOWN

Alas, why is she so?

MALVOLIO

Fool, I say!

CLOWN

She loves another—
Who calls, ha?

MALVOLIO

Good fool, as ever wilt deserve well at my hand, help me to a candle, and pen, ink, and paper. As I am a gentleman, I will live to be thankful to for’t.

CLOWN

Master Malvolio?

MALVOLIO

Ay, good fool.

CLOWN

Alas, sir, how fell you besides your five wits?

MALVOLIO

Fool, there was never man so notoriously abused. I am as well in my wits, fool, as art.

CLOWN

But as well? Then you are mad indeed, if you be no better in your wits than a fool.

MALVOLIO

They have here propertied me; keep me in darkness, send ministers to me, asses, and do all they can to face me out of my wits.

CLOWN

Advise you what you say: the minister is here. Malvolio, Malvolio, wits the heavens restore. Endeavour thyself to sleep, and leave vain bibble-babble.

MALVOLIO

Sir Topas!

CLOWN

Maintain no words with him, good fellow. Who, I, sir? not I, sir. God buy you, good Sir Topas. Marry, amen. I will sir, I will.

MALVOLIO

Fool, fool, fool, I say!

CLOWN

Alas, sir, be patient. What say you, sir? I am shent for speaking to you.

MALVOLIO

Good fool, help me to some light and some paper. I tell I am as well in my wits as any man in Illyria.

CLOWN

Well-a-day that you were, sir!

MALVOLIO

By this hand, I am. Good fool, some ink, paper, and light, and convey what I will set down to my lady. It shall advantage more than ever the bearing of letter did.

CLOWN

I will help you to’t. But tell me true, are you not mad indeed? or do you but counterfeit?

MALVOLIO

Believe me, I am not. I tell true.

CLOWN

Nay, I’ll believe a madman till I see his brains. I will fetch you light, and paper, and ink.

MALVOLIO

Fool, I’ll requite it in the highest degree: I be gone.

CLOWN

I am gone, sir, and , sir,
I’ll be with you again,
In a trice, like to the old Vice,
Your need to sustain;
Who with dagger of lath, in his rage and his wrath,
Cries ‘ah, ha!’ to the devil:
Like a mad lad, ‘Pare nails, dad.
Adieu, goodman devil.’

All of Twelfth Night

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3,

Act 5

Act 5, Scene 1

Open Twelfth Night in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.