Twelfth Night

Act 2, Scene 4

Modern spelling. Stage directions omitted.

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DUKE

Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night;
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times.
Come, but one verse.

CURIO

He is not here, so please your lordship, that should sing it.

DUKE

Who was it?

CURIO

Feste, the jester, my lord, a fool that the Lady Olivia’s father took much delight in. He is about the house.

DUKE

Seek him out, and play the tune the while.

DUKE

Come , boy. If ever love,
In the sweet pangs of it remember me:
For such as I am, all true lovers are,
Unstaid and skittish in all motions else,
Save in the constant image of the creature
That is belov’d. How like this tune?

VIOLA

It gives a very echo to the seat
Where love is throned.

DUKE

speak masterly.
My life upon’t, young though art, eye
stayed upon some favour that it loves.
it not, boy?

VIOLA

A little, by your favour.

DUKE

What kind of woman is’t?

VIOLA

Of your complexion.

DUKE

She is not worth , then. What years, i’ faith?

VIOLA

About your years, my lord.

DUKE

Too old, by heaven! Let still the woman take
An elder than herself; so wears she to him,
So sways she level in her husband’s heart.
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn,
Than women’s are.

VIOLA

I think it well, my lord.

DUKE

Then let love be younger than thyself,
Or affection cannot hold the bent:
For women are as roses, whose fair flower
Being once display’d, fall that very hour.

VIOLA

And so they are: alas, that they are so;
To die, even when they to perfection grow!

DUKE

O, fellow, come, the song we had last night.
Mark it, Cesario, it is old and plain;
The spinsters and the knitters in the sun,
And the free maids, that weave their thread with bones
Do use to chant it: it is silly sooth,
And dallies with the innocence of love
Like the old age.

CLOWN

Are you ready, sir?

DUKE

Ay; , sing.

DUKE

Come away, come away, death.
And in sad cypress let me be laid.
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death no one so true
Did share it.

DUKE

Not a flower, not a flower sweet,
On my black coffin let there be strown:
Not a friend, not a friend greet
My poor corpse where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave,
To weep there.

DUKE

There’s for pains.

CLOWN

No pains, sir; I take pleasure in singing, sir.

DUKE

I’ll pay pleasure, then.

CLOWN

Truly sir, and pleasure will be paid one time or another.

DUKE

Give me now leave to leave .

CLOWN

Now the melancholy god protect , and the tailor make doublet of changeable taffeta, for mind is a very opal. I would have men of such constancy put to sea, that their business might be everything, and their intent everywhere, for that’s it that always makes a good voyage of nothing. Farewell.

DUKE

Let all the rest give place.

DUKE

Once more, Cesario,
Get to yond same sovereign cruelty.
Tell her my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune bestow’d upon her,
Tell her I hold as giddily as fortune;
But that miracle and queen of gems
That nature pranks her in attracts my soul.

VIOLA

But if she cannot love you, sir?

DUKE

I cannot be so answer’d.

VIOLA

Sooth, but you must.
Say that some lady, as perhaps there is,
for your love as great a pang of heart
As you have for Olivia: you cannot love her;
You tell her so. Must she not then be answer’d?

DUKE

There is no woman’s sides
Can bide the beating of so strong a passion
As love give my heart: no woman’s heart
So big, to hold so much; they lack retention.
Alas, their love may be called appetite,
No motion of the liver, but the palate,
That suffer surfeit, cloyment, and revolt;
But mine is all as hungry as the sea,
And can digest as much. Make no compare
Between that love a woman can bear me
And that I owe Olivia.

VIOLA

Ay, but I know—

DUKE

What know?

VIOLA

Too well what love women to men may owe.
In faith, they are as true of heart as we.
My father had a daughter loved a man,
As it might be perhaps, were I a woman,
I should your lordship.

DUKE

And what’s her history?

VIOLA

A blank, my lord. She never told her love,
But let concealment, like a worm i’ th’ bud,
Feed on her damask cheek: she pined in thought,
And with a green and yellow melancholy
She sat like patience on a monument,
Smiling at grief. Was not this love, indeed?
We men may say more, swear more, but indeed,
Our shows are more than will; for still we prove
Much in our vows, but little in our love.

DUKE

But died sister of her love, my boy?

VIOLA

I am all the daughters of my father’s house,
And all the brothers too: and yet I know not.
Sir, shall I to this lady?

DUKE

Ay, that’s the theme.
To her in haste. Give her this jewel; say
My love can give no place, bide no denay.

All of Twelfth Night

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3,

Act 5

Act 5, Scene 1

Open Twelfth Night in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.