Much Ado About Nothing

Act 3, Scene 1

Modern spelling. Stage directions omitted.

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HERO

Good Margaret, run to the parlour;
There find my cousin Beatrice
Proposing with the Prince and Claudio:
Whisper her ear, and tell her, I and Ursala
Walk in the orchard, and our whole discourse
Is all of her; say that overheard’st us,
And bid her steal into the pleached bower,
Where honey-suckles, ripen’d by the sun,
Forbid the sun to enter; like favourites,
Made proud by princes, that advance their pride
Against that power that bred it. There will she hide her,
To listen our propose. This is office;
Bear well in it and leave us alone.

MARGARET

I’ll make her come, I warrant you, .

HERO

Now, Ursula, when Beatrice come,
As we do trace this alley up and down,
Our talk must only be of Benedick:
When I do name him, let it be part
To praise him more than ever man did merit.
My talk to must be how Benedick
Is sick in love with Beatrice: of this matter
Is little Cupid’s crafty arrow made,
That only wounds by hearsay.

HERO

Now begin;
For look where Beatrice, like a lapwing, runs
Close by the ground, to hear our conference.

URSULA

The pleasant’st angling is to see the fish
Cut with her golden oars the silver stream,
And greedily devour the treacherous bait:
So angle we for Beatrice; who even now
Is couched in the woodbine coverture.
Fear you not my part of the dialogue.

HERO

Then go we near her, that her ear lose nothing
Of the false sweet bait that we lay for it.

HERO

No, truly, Ursula, she is too disdainful;
I know her spirits are as coy and wild
As haggards of the rock.

URSULA

But are you sure
That Benedick loves Beatrice so entirely?

HERO

So says the Prince, and my new-trothed lord.

URSULA

And did they bid you tell her of it, madam?

HERO

They did entreat me to acquaint her of it;
But I persuaded them, if they lov’d Benedick,
To wish him wrestle with affection,
And never to let Beatrice know of it.

URSULA

Why did you so? not the gentleman
Deserve as full as fortunate a bed
As ever Beatrice shall couch upon?

HERO

O god of love! I know he deserve
As much as may be yielded to a man;
But Nature never fram’d a woman’s heart
Of prouder stuff than that of Beatrice;
Disdain and scorn ride sparkling in her eyes,
Misprising what they look on, and her wit
Values itself so highly, that to her
All matter else seems weak. She cannot love,
Nor take no shape nor project of affection,
She is so self-endear’d.

URSULA

Sure I think so;
And therefore certainly it were not good
She knew his love, lest she make sport at it.

HERO

Why, you speak truth. I never yet saw man,
How wise, how noble, young, how rarely featur’d,
But she would spell him backward: if fair-fac’d,
She would swear the gentleman should be her sister;
If black, why, Nature, drawing of an antick,
Made a foul blot; if tall, a lance ill-headed;
If low, an agate very vilely cut;
If speaking, why, a vane blown with all winds;
If silent, why, a block moved with none.
So turns she every man the wrong side out,
And never gives to truth and virtue that
Which simpleness and merit purchaseth.

URSULA

Sure, sure, such carping is not commendable.

HERO

No; not to be so odd, and from all fashions,
As Beatrice is, cannot be commendable.
But who dare tell her so? If I should speak,
She would mock me into air: O! she would laugh me
Out of myself, press me to death with wit.
Therefore let Benedick, like cover’d fire,
Consume away in sighs, waste inwardly:
It were a better death than die with mocks,
Which is as bad as die with tickling.

URSULA

Yet tell her of it: hear what she will say.

HERO

No; rather I will go to Benedick,
And counsel him to fight against his passion.
And, truly, I’ll devise some honest slanders
To stain my cousin with. One not know
How much an ill word may empoison liking.

URSULA

O! do not do your cousin such a wrong.
She cannot be so much without true judgment,—
Having so swift and excellent a wit
As she is priz’d to have,—as to refuse
So rare a gentleman as Signior Benedick.

HERO

He is the only man of Italy,
Always excepted my dear Claudio.

URSULA

I pray you, be not angry with me, madam,
Speaking my fancy: Signior Benedick,
For shape, for bearing, argument and valour,
Goes foremost in report through Italy.

HERO

Indeed, he an excellent good name.

URSULA

His excellence did earn it, he had it.
When are you married, madam?

HERO

Why, every day, tomorrow. Come, go in:
I’ll show some attires, and have counsel
Which is the best to furnish me tomorrow.

URSULA

She’s lim’d, I warrant you,
We have caught her, madam.

HERO

If it prove so, then loving goes by haps:
Some Cupid kills with arrows, some with traps.

BEATRICE

What fire is in mine ears? Can this be true?
Stand I condemn’d for pride and scorn so much?
Contempt, farewell! and maiden pride, adieu!
No glory lives behind the back of such.
And, Benedick, love on; I will requite ,
Taming my wild heart to loving hand:
If love, my kindness shall incite
To bind our loves up in a holy band;
For others say deserve, and I
Believe it better than reportingly.

All of Much Ado About Nothing

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5,

Act 4

Act 4, Scene 1Act 4, Scene 2,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3Act 5, Scene 4

Open Much Ado About Nothing in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.