Cymbeline

Act 3, Scene 4

Modern spelling. Stage directions omitted.

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IMOGEN

told’st me, when we came from horse, the place
Was near at hand. long’d my mother so
To see me first as I have now. Pisanio! Man!
Where is Posthumus? What is in mind
That makes stare thus? breaks that sigh
From th’ inward of ? One but painted thus
Would be interpreted a thing perplex’d
Beyond self-explication. Put thyself
Into a haviour of less fear, wildness
Vanquish my staider senses. What’s the matter?
Why tender’st that paper to me with
A look untender? If’t be summer news,
Smile to’t before; if winterly, need’st
But keep that count’nance still. My husband’s hand?
That drug-damn’d Italy out-craftied him,
And he’s at some hard point. Speak, man; tongue
May take off some extremity, which to read
Would be even mortal to me.

PISANIO

Please you read,
And you shall find me, wretched man, a thing
The most disdain’d of fortune.

IMOGEN

mistress, Pisanio, play’d the strumpet in my bed, the testimonies whereof lie bleeding in me. I speak not out of weak surmises, but from proof as strong as my grief and as certain as I expect my revenge. That part , Pisanio, must act for me, if faith be not tainted with the breach of hers. Let own hands take away her life; I shall give opportunity at Milford Haven; she my letter for the purpose; where, if fear to strike, and to make me certain it is done, art the pandar to her dishonour, and equally to me disloyal.

PISANIO

What shall I need to draw my sword? The paper
cut her throat already. No, slander,
Whose edge is sharper than the sword, whose tongue
Outvenoms all the worms of Nile, whose breath
Rides on the posting winds and belie
All corners of the world. Kings, queens, and states,
Maids, matrons, nay, the secrets of the grave,
This viperous slander enters. What cheer, madam?

IMOGEN

False to his bed? What is it to be false?
To lie in watch there, and to think on him?
To weep twixt clock and clock? If sleep charge nature,
To break it with a fearful dream of him,
And cry myself awake? That’s false to’s bed,
Is it?

PISANIO

Alas, good lady!

IMOGEN

I false! conscience witness! Iachimo,
accuse him of incontinency;
then look’dst like a villain; now, ,
favour’s good enough. Some jay of Italy,
Whose mother was her painting, betray’d him.
Poor I am stale, a garment out of fashion,
And for I am richer than to hang by th’ walls
I must be ripp’d. To pieces with me! O,
Men’s vows are women’s traitors! All good seeming,
By revolt, O husband, shall be thought
Put on for villainy; not born where’t grows,
But worn a bait for ladies.

PISANIO

Good madam, hear me.

IMOGEN

True honest men being heard, like false Æneas,
Were, in his time, thought false; and Sinon’s weeping
Did scandal many a holy tear, took pity
From most true wretchedness. So , Posthumus,
Wilt lay the leaven on all proper men:
Goodly and gallant shall be false and perjur’d
From great fail. Come, fellow, be honest;
Do master’s bidding; when seest him,
A little witness my obedience. Look!
I draw the sword myself; take it, and hit
The innocent mansion of my love, my heart.
Fear not; empty of all things but grief;
master is not there, who was indeed
The riches of it. Do his bidding; strike.
mayst be valiant in a better cause,
But now seem’st a coward.

PISANIO

, vile instrument!
not damn my hand.

IMOGEN

Why, I must die;
And if I do not by hand, art
No servant of master’s. Against self-slaughter
There is a prohibition so divine
That cravens my weak hand. Come, here’s my heart:
Something’s afore’t. Soft, soft! we’ll no defence,
Obedient as the scabbard. What is here?
The scriptures of the loyal Leonatus
All turn’d to heresy? Away, away,
Corrupters of my faith, you shall no more
Be stomachers to my heart. Thus may poor fools
Believe false teachers; though those that are betray’d
Do feel the treason sharply, yet the traitor
Stands in worse case of woe. And , Posthumus,
That set up my disobedience ’gainst the King
My father, and make me put into contempt the suits
Of princely fellows, hereafter find
It is no act of common passage but
A strain of rareness; and I grieve myself
To think, when be disedg’d by her
That now tirest on, how memory
Will then be pang’d by me. dispatch.
The lamb entreats the butcher. Where’s knife?
art too slow to do master’s bidding,
When I desire it too.

PISANIO

O gracious lady,
Since I receiv’d command to do this busines
I have not slept one wink.

IMOGEN

Do’t, and to bed then.

PISANIO

I’ll wake mine eyeballs first.

IMOGEN

then
undertake it? Why abus’d
So many miles with a pretence? This place?
Mine action and own? our horses’ labour?
The time inviting ? The perturb’d court,
For my being absent? whereunto I never
Purpose return. Why gone so far
To be unbent when ta’en stand,
Th’ elected deer before ?

PISANIO

But to win time
To lose so bad employment, in the which
I have consider’d of a course. Good lady,
Hear me with patience.

IMOGEN

Talk tongue weary, speak.
I have heard I am a strumpet, and mine ear,
Therein false struck, can take no greater wound,
Nor tent to bottom that. But speak.

PISANIO

Then, madam,
I thought you would not back again.

IMOGEN

Most like,
Bringing me here to kill me.

PISANIO

Not so, neither;
But if I were as wise as honest, then
My purpose would prove well. It cannot be
But that my master is abus’d. Some villain,
Ay, and singular in his art, done you both
This cursed injury.

IMOGEN

Some Roman courtezan!

PISANIO

No, on my life!
I’ll give but notice you are dead, and send him
Some bloody sign of it, for commanded
I should do so. You shall be miss’d at court,
And that will well confirm it.

IMOGEN

Why, good fellow,
What shall I do the while? Where bide? How live?
Or in my life what comfort, when I am
Dead to my husband?

PISANIO

If you’ll back to th’ court—

IMOGEN

No court, no father, nor no more ado
With that harsh, noble, simple nothing,
That Cloten, whose love-suit been to me
As fearful as a siege.

PISANIO

If not at court,
Then not in Britain must you bide.

IMOGEN

Where then?
Britain all the sun that shines? Day, night,
Are they not but in Britain? I’ th’ world’s volume
Our Britain seems as of it, but not in’t;
In a great pool a swan’s nest. think
There’s livers out of Britain.

PISANIO

I am most glad
You think of other place. Th’ ambassador,
Lucius the Roman, comes to Milford Haven
Tomorrow. Now, if you could wear a mind
Dark as your fortune is, and but disguise
That which t’ appear itself must not yet be
But by self-danger, you should tread a course
Pretty and full of view; yea, happily, near
The residence of Posthumus; so nigh, at least,
That though his actions were not visible, yet
Report should render him hourly to your ear
As truly as he moves.

IMOGEN

O! for such means,
Though peril to my modesty, not death on’t,
I would adventure.

PISANIO

Well then, here’s the point:
You must forget to be a woman; change
Command into obedience; fear and niceness
(The handmaids of all women, or, more truly,
Woman it pretty self) into a waggish courage;
Ready in gibes, quick-answer’d, saucy, and
As quarrelous as the weasel. Nay, you must
Forget that rarest treasure of your cheek,
Exposing it (but, O, the harder heart!
, no remedy) to the greedy touch
Of common-kissing Titan, and forget
Your laboursome and dainty trims wherein
You made great Juno angry.

IMOGEN

Nay, be brief;
I see into end, and am almost
A man already.

PISANIO

First, make yourself but like one.
Fore-thinking this, I have already fit
( in my cloak-bag) doublet, hat, hose, all
That answer to them. Would you, in their serving,
And with what imitation you can borrow
From youth of such a season, ’fore noble Lucius
Present yourself, desire his service, tell him
Wherein you’re happy; which will make him know
If that his head have ear in music; doubtless
With joy he will embrace you; for he’s honourable,
And, doubling that, most holy. Your means abroad:
You have me, rich; and I will never fail
Beginning nor supplyment.

IMOGEN

art all the comfort
The gods will diet me with. away!
There’s more to be consider’d; but we’ll even
All that good time will give us. This attempt
I am soldier to, and will abide it with
A prince’s courage. Away, I .

PISANIO

Well, madam, we must take a short farewell,
Lest, being miss’d, I be suspected of
Your carriage from the court. My noble mistress,
Here is a box; I had it from the Queen.
What’s in’t is precious. If you are sick at sea
Or stomach-qualm’d at land, a dram of this
Will drive away distemper. To some shade,
And fit you to your manhood. May the gods
Direct you to the best!

IMOGEN

Amen. I thank .

All of Cymbeline

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5Act 1, Scene 6Act 1, Scene 7,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5Act 3, Scene 6Act 3, Scene 7Act 3, Scene 8,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3Act 4, Scene 4,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3Act 5, Scene 4Act 5, Scene 5

Open Cymbeline in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.