Cymbeline

Act 3, Scene 2

Modern spelling. Stage directions omitted.

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PISANIO

How? of adultery? write you not
What monsters her accuse? Leonatus!
O master, what a strange infection
Is fall’n into ear! What false Italian
(As poisonous-tongu’d as handed) prevail’d
On too ready hearing? Disloyal? No.
She’s punish’d for her truth, and undergoes,
More goddess-like than wife-like, such assaults
As would take in some virtue. O my master,
mind to her is now as low as were
fortunes. How? that I should murder her?
Upon the love, and truth, and vows, which I
Have made to command? I, her? Her blood?
If it be so to do good service, never
Let me be counted serviceable. How look I
That I should seem to lack humanity
So much as this fact comes to?

PISANIO

‘Do’t. The letter
That I have sent her, by her own command
Shall give opportunity.’ O damn’d paper,
Black as the ink that’s on ! Senseless bauble,
Art a fedary for this act, and look’st
So virgin-like without? Lo, here she comes.

PISANIO

I am ignorant in what I am commanded.

IMOGEN

How now, Pisanio?

PISANIO

Madam, here is a letter from my lord.

IMOGEN

Who? lord? That is my lord, Leonatus?
O, learn’d indeed were that astronomer
That knew the stars as I his characters;
He’d lay the future open. You good gods,
Let what is here contain’d relish of love,
Of my lord’s health, of his content; yet not
That we two are asunder; let that grieve him!
Some griefs are med’cinable; that is one of them,
For it physic love: of his content,
All but in that. Good wax, leave. Blest be
You bees that make these locks of counsel! Lovers
And men in dangerous bonds pray not alike;
Though forfeiters you cast in prison, yet
You clasp young Cupid’s tables. Good news, gods!

IMOGEN

Justice and your father’s wrath, should he take me in his dominion, could not be so cruel to me as you, O the dearest of creatures, would even renew me with your eyes. Take notice that I am in Cambria, at Milford Haven. What your own love will out of this advise you, follow. So he wishes you all happiness that remains loyal to his vow, and your increasing in love.
LEONATUS POSTHUMUS.

IMOGEN

O for a horse with wings! Hear’st , Pisanio?
He is at Milford Haven. Read, and tell me
How far . If one of mean affairs
May plod it in a week, why may not I
Glide in a day? Then, true Pisanio,
Who long’st like me to see lord, who long’st
(O, let me ’bate!) but not like me, yet long’st,
But in a fainter kind. O, not like me,
For mine’s beyond beyond: say, and speak thick,
(Love’s counsellor should fill the bores of hearing
To th’ smothering of the sense) how far it is
To this same blessed Milford. And by th’ way
Tell me how Wales was made so happy as
T’ inherit such a haven. But first of all,
How we may steal from ; and for the gap
That we shall make in time from our hence-going
And our return, to excuse. But first, how get .
Why should excuse be born or begot?
We’ll talk of that hereafter. speak,
How many score of miles may we well rid
’Twixt hour and hour?

PISANIO

One score ’twixt sun and sun,
Madam, ’s enough for you, and too much too.

IMOGEN

Why, one that rode to’s execution, man,
Could never go so slow. I have heard of riding wagers
Where horses have been nimbler than the sands
That run i’ th’ clock’s behalf. But this is fool’ry.
Go bid my woman feign a sickness; say
She’ll home to her father; and provide me
A riding suit, no costlier than would fit
A franklin’s huswife.

PISANIO

Madam, you’re best consider.

IMOGEN

I see before me, man. Nor here, nor here,
Nor what ensues, but have a fog in them
That I cannot look through. Away, I ;
Do as I bid . There’s no more to say.
Accessible is none but Milford way.

All of Cymbeline

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5Act 1, Scene 6Act 1, Scene 7,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5Act 3, Scene 6Act 3, Scene 7Act 3, Scene 8,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3Act 4, Scene 4,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3Act 5, Scene 4Act 5, Scene 5

Open Cymbeline in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.