The Comedy of Errors

Act 2, Scene 2

Modern spelling. Stage directions omitted.

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ANTIPHOLUS OF SYRACUSE

The gold I gave to Dromio is laid up
Safe at the Centaur, and the heedful slave
Is wander’d forth in care to seek me out.
By computation and mine host’s report.
I could not speak with Dromio since at first
I sent him from the mart. See, here he comes.

ANTIPHOLUS OF SYRACUSE

How now, sir! is your merry alter’d?
As you love strokes, so jest with me again.
You know no Centaur? you receiv’d no gold?
Your mistress sent to have me home to dinner?
My house was at the Phoenix? Wast mad,
That thus so madly answer me?

DROMIO OF SYRACUSE

What answer, sir? when spake I such a word?

ANTIPHOLUS OF SYRACUSE

Even now, even here, not half an hour since.

DROMIO OF SYRACUSE

I did not see you since you sent me ,
Home to the Centaur with the gold you gave me.

ANTIPHOLUS OF SYRACUSE

Villain, deny the gold’s receipt,
And told’st me of a mistress and a dinner,
For which I hope felt’st I was displeas’d.

DROMIO OF SYRACUSE

I am glad to see you in this merry vein.
What means this jest, I pray you, master, tell me?

ANTIPHOLUS OF SYRACUSE

Yea, jeer and flout me in the teeth?
Think’st I jest? Hold, take that, and that.

DROMIO OF SYRACUSE

Hold, sir, for God’s sake, now your jest is earnest.
Upon what bargain do you give it me?

ANTIPHOLUS OF SYRACUSE

Because that I familiarly sometimes
Do use you for my fool, and chat with you,
Your sauciness will jest upon my love,
And make a common of my serious hours.
When the sun shines let foolish gnats make sport,
But creep in crannies when he hides his beams.
If you will jest with me, know my aspect,
And fashion your demeanour to my looks,
Or I will beat this method in your sconce.

DROMIO OF SYRACUSE

Sconce, call you it? so you would leave battering, I had rather have it a head. And you use these blows long, I must get a sconce for my head, and ensconce it too, or else I shall seek my wit in my shoulders. But I pray, sir, why am I beaten?

ANTIPHOLUS OF SYRACUSE

not know?

DROMIO OF SYRACUSE

Nothing, sir, but that I am beaten.

ANTIPHOLUS OF SYRACUSE

Shall I tell you why?

DROMIO OF SYRACUSE

Ay, sir, and ; for they say, every why a .

ANTIPHOLUS OF SYRACUSE

Why, first, for flouting me; and then ,
For urging it the second time to me.

DROMIO OF SYRACUSE

Was there ever any man thus beaten out of season,
When in the why and the is neither rhyme nor reason?
Well, sir, I thank you.

ANTIPHOLUS OF SYRACUSE

Thank me, sir, for what?

DROMIO OF SYRACUSE

Marry, sir, for this something that you gave me for nothing.

ANTIPHOLUS OF SYRACUSE

I’ll make you amends next, to give you nothing for something.
But say, sir, is it dinner-time?

DROMIO OF SYRACUSE

No, sir; I think the meat wants that I have.

ANTIPHOLUS OF SYRACUSE

In good time, sir, what’s that?

DROMIO OF SYRACUSE

Basting.

ANTIPHOLUS OF SYRACUSE

Well, sir, then ’twill be dry.

DROMIO OF SYRACUSE

If it be, sir, I pray you eat none of it.

ANTIPHOLUS OF SYRACUSE

Your reason?

DROMIO OF SYRACUSE

Lest it make you choleric, and purchase me another dry basting.

ANTIPHOLUS OF SYRACUSE

Well, sir, learn to jest in good time.
There’s a time for all things.

DROMIO OF SYRACUSE

I durst have denied that before you were so choleric.

ANTIPHOLUS OF SYRACUSE

By what rule, sir?

DROMIO OF SYRACUSE

Marry, sir, by a rule as plain as the plain bald pate of Father Time himself.

ANTIPHOLUS OF SYRACUSE

Let’s hear it.

DROMIO OF SYRACUSE

There’s no time for a man to recover his hair that grows bald by nature.

ANTIPHOLUS OF SYRACUSE

May he not do it by fine and recovery?

DROMIO OF SYRACUSE

Yes, to pay a fine for a periwig, and recover the lost hair of another man.

ANTIPHOLUS OF SYRACUSE

Why is Time such a niggard of hair, being, as it is, so plentiful an excrement?

DROMIO OF SYRACUSE

Because it is a blessing that he bestows on beasts, and what he scanted men in hair he given them in wit.

ANTIPHOLUS OF SYRACUSE

Why, but there’s many a man more hair than wit.

DROMIO OF SYRACUSE

Not a man of those but he the wit to lose his hair.

ANTIPHOLUS OF SYRACUSE

Why, conclude hairy men plain dealers without wit.

DROMIO OF SYRACUSE

The plainer dealer, the sooner lost. Yet he loseth it in a kind of jollity.

ANTIPHOLUS OF SYRACUSE

For what reason?

DROMIO OF SYRACUSE

For two, and sound ones too.

ANTIPHOLUS OF SYRACUSE

Nay, not sound, I pray you.

DROMIO OF SYRACUSE

Sure ones, then.

ANTIPHOLUS OF SYRACUSE

Nay, not sure, in a thing falsing.

DROMIO OF SYRACUSE

Certain ones, then.

ANTIPHOLUS OF SYRACUSE

Name them.

DROMIO OF SYRACUSE

The one, to save the money that he spends in tiring; the other, that at dinner they should not drop in his porridge.

ANTIPHOLUS OF SYRACUSE

You would all this time have proved there is no time for all things.

DROMIO OF SYRACUSE

Marry, and did, sir; namely, no time to recover hair lost by nature.

ANTIPHOLUS OF SYRACUSE

But your reason was not substantial why there is no time to recover.

DROMIO OF SYRACUSE

Thus I mend it: Time himself is bald, and therefore, to the world’s end will have bald followers.

ANTIPHOLUS OF SYRACUSE

I knew ’twould be a bald conclusion.
But soft! who wafts us yonder?

ADRIANA

Ay, ay, Antipholus, look strange and frown,
Some other mistress sweet aspects.
I am not Adriana, nor wife.
The time was once when unurg’d vow
That never words were music to ear,
That never object pleasing in eye,
That never touch well welcome to hand,
That never meat sweet-savour’d in taste,
Unless I spake, or look’d, or touch’d, or carv’d to .
How comes it now, my husband, O, how comes it,
That art then estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than dear self’s better part.
Ah, do not tear away thyself from me;
For know, my love, as easy mayst fall
A drop of water in the breaking gulf,
And take unmingled that drop again
Without addition or diminishing,
As take from me thyself, and not me too.
How dearly would it touch to the quick,
but hear I were licentious?
And that this body, consecrate to ,
By ruffian lust should be contaminate?
not spit at me, and spurn at me,
And hurl the name of husband in my face,
And tear the stain’d skin off my harlot brow,
And from my false hand cut the wedding-ring,
And break it with a deep-divorcing vow?
I know canst; and therefore, see do it.
I am possess’d with an adulterate blot;
My blood is mingled with the crime of lust;
For if we two be one, and play false,
I do digest the poison of flesh,
Being strumpeted by contagion.
Keep then fair league and truce with true bed,
I live distain’d, undishonoured.

ANTIPHOLUS OF SYRACUSE

Plead you to me, fair dame? I know you not.
In Ephesus I am but two hours old,
As strange unto your town as to your talk,
Who, every word by all my wit being scann’d,
Wants wit in all one word to understand.

LUCIANA

Fie, brother, how the world is chang’d with you.
When were you wont to use my sister thus?
She sent for you by Dromio home to dinner.

ANTIPHOLUS OF SYRACUSE

By Dromio?

DROMIO OF SYRACUSE

By me?

ADRIANA

By ; and this return from him,
That he did buffet , and in his blows
Denied my house for his, me for his wife.

ANTIPHOLUS OF SYRACUSE

Did you converse, sir, with this gentlewoman?
What is the course and drift of your compact?

DROMIO OF SYRACUSE

I, sir? I never saw her till this time.

ANTIPHOLUS OF SYRACUSE

Villain, liest, for even her very words
deliver to me on the mart.

DROMIO OF SYRACUSE

I never spake with her in all my life.

ANTIPHOLUS OF SYRACUSE

How can she thus, then, call us by our names?
Unless it be by inspiration.

ADRIANA

How ill agrees it with your gravity
To counterfeit thus grossly with your slave,
Abetting him to thwart me in my mood;
Be it my wrong, you are from me exempt,
But wrong not that wrong with a more contempt.
Come, I will fasten on this sleeve of .
art an elm, my husband, I a vine,
Whose weakness, married to stronger state,
Makes me with strength to communicate:
If possess from me, it is dross,
Usurping ivy, brier, or idle moss,
Who all, for want of pruning, with intrusion
Infect sap, and live on confusion.

ANTIPHOLUS OF SYRACUSE

To me she speaks; she moves me for her theme.
What, was I married to her in my dream?
Or sleep I now, and think I hear all this?
What error drives our eyes and ears amiss?
Until I know this sure uncertainty
I’ll entertain the offer’d fallacy.

LUCIANA

Dromio, go bid the servants spread for dinner.

DROMIO OF SYRACUSE

O, for my beads! I cross me for a sinner.
This is the fairy land; O spite of spites!
We talk with goblins, owls, and sprites;
If we obey them not, this will ensue:
They’ll suck our breath, or pinch us black and blue.

LUCIANA

Why prat’st to thyself, and answer’st not?
Dromio, drone, snail, slug, sot.

DROMIO OF SYRACUSE

I am transformed, master, am I not?

ANTIPHOLUS OF SYRACUSE

I think art in mind, and so am I.

DROMIO OF SYRACUSE

Nay, master, both in mind and in my shape.

ANTIPHOLUS OF SYRACUSE

own form.

DROMIO OF SYRACUSE

No, I am an ape.

LUCIANA

If art chang’d to , to an ass.

DROMIO OF SYRACUSE

true; she rides me, and I long for grass.
so, I am an ass; else it could never be
But I should know her as well as she knows me.

ADRIANA

Come, come, no longer will I be a fool,
To put the finger in the eye and weep
Whilst man and master laughs my woes to scorn.
Come, sir, to dinner; Dromio, keep the gate.
Husband, I’ll dine above with you today,
And shrive you of a thousand idle pranks.
, if any ask you for your master,
Say he dines forth, and let no creature enter.
Come, sister; Dromio, play the porter well.

ANTIPHOLUS OF SYRACUSE

Am I in earth, in heaven, or in hell?
Sleeping or waking, mad, or well-advis’d?
Known unto these, and to myself disguis’d!
I’ll say as they say, and persever so,
And in this mist at all adventures go.

DROMIO OF SYRACUSE

Master, shall I be porter at the gate?

ADRIANA

Ay; and let none enter, lest I break your pate.

LUCIANA

Come, come, Antipholus, we dine too late.

All of The Comedy of Errors

Act 1

Act 1, Scene 1Act 1, Scene 2,

Act 2

Act 2, Scene 1Act 2, Scene 2,

Act 3

Act 3, Scene 1Act 3, Scene 2,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3Act 4, Scene 4,

Act 5

Act 5, Scene 1

Open The Comedy of Errors in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.