Richard II

Act 5, Scene 5

Modern spelling. Stage directions omitted.

Listen to Act 5. LibriVox volunteers recorded “Act 5” as one track, so it runs past this scene and includes stage directions this page leaves out. LibriVox catalog.

RICHARD

I have been studying how I may compare
This prison where I live unto the world;
And for because the world is populous
And here is not a creature but myself,
I cannot do it. Yet I’ll hammer it out.
My brain I’ll prove the female to my soul,
My soul the father, and these two beget
A generation of still-breeding thoughts,
And these same thoughts people this little world,
In humours like the people of this world,
For no thought is contented. The better sort,
As thoughts of things divine, are intermixed
With scruples, and do set the word itself
Against the word, as thus: “Come, little ones”;
And then again:
“It is as hard to come as for a camel
To thread the postern of a needle’s eye.”
Thoughts tending to ambition, they do plot
Unlikely wonders: how these vain weak nails
May tear a passage through the flinty ribs
Of this hard world, my ragged prison walls,
And, for they cannot, die in their own pride.
Thoughts tending to content flatter themselves
That they are not the first of fortune’s slaves,
Nor shall not be the last, like silly beggars
Who sitting in the stocks refuge their shame
That many have and others must sit there;
And in this thought they find a kind of ease,
Bearing their own misfortunes on the back
Of such as have before endured the like.
Thus play I in one person many people,
And none contented. Sometimes am I king;
Then treasons make me wish myself a beggar,
And so I am. Then crushing penury
Persuades me I was better when a king;
Then am I kinged again, and by and by
Think that I am unkinged by Bolingbroke,
And straight am nothing. But whate’er I be,
Nor I nor any man that but man is
With nothing shall be pleased till he be eased
With being nothing.
Music do I hear?
Ha, ha! keep time! How sour sweet music is
When time is broke and no proportion kept!
So is it in the music of men’s lives.
And here have I the daintiness of ear
To check time broke in a disordered string;
But for the concord of my state and time
Had not an ear to hear my true time broke.
I wasted time, and now time waste me;
For now time made me his numb’ring clock.
My thoughts are minutes, and with sighs they jar
Their watches on unto mine eyes, the outward watch,
Whereto my finger, like a dial’s point,
Is pointing still, in cleansing them from tears.
Now, sir, the sound that tells what hour it is
Are clamorous groans which strike upon my heart,
Which is the bell. So sighs and tears and groans
Show minutes, times, and hours. But my time
Runs posting on in Bolingbroke’s proud joy,
While I stand fooling here, his Jack o’ the clock.
This music mads me! Let it sound no more;
For though it have holp madmen to their wits,
In me it seems it will make wise men mad.
Yet blessing on his heart that gives it me,
For a sign of love; and love to Richard
Is a strange brooch in this all-hating world.

GROOM

Hail, royal Prince!

RICHARD

Thanks, noble peer.
The cheapest of us is ten groats too dear.
What art , and how comest
Where no man never comes but that sad dog
That brings me food to make misfortune live?

GROOM

I was a poor groom of stable, king,
When wert king; who, travelling towards York,
With much ado at length have gotten leave
To look upon my sometimes royal master’s face.
O, how it erned my heart when I beheld
In London streets, that coronation day,
When Bolingbroke rode on roan Barbary,
That horse that so often bestrid,
That horse that I so carefully have dressed.

RICHARD

Rode he on Barbary? Tell me, gentle friend,
How went he under him?

GROOM

So proudly as if he disdained the ground.

RICHARD

So proud that Bolingbroke was on his back!
That jade eat bread from my royal hand;
This hand made him proud with clapping him.
Would he not stumble? Would he not fall down,
Since pride must have a fall, and break the neck
Of that proud man that did usurp his back?
Forgiveness, horse! Why do I rail on ,
Since , created to be awed by man,
Wast born to bear? I was not made a horse,
And yet I bear a burden like an ass,
Spurred, galled and tired by jauncing Bolingbroke.

KEEPER

Fellow, give place. Here is no longer stay.

RICHARD

If love me, time wert away.

GROOM

My tongue dares not, that my heart shall say.

KEEPER

My lord, will’t please you to fall to?

RICHARD

Taste of it first as art wont to do.

KEEPER

My lord, I dare not. Sir Pierce of Exton,
Who lately came from the King, commands the contrary.

RICHARD

The devil take Henry of Lancaster and !
Patience is stale, and I am weary of it.

KEEPER

Help, help, help!

RICHARD

How now! What means death in this rude assault?
Villain, own hand yields death’s instrument.

RICHARD

Go and fill another room in hell.

RICHARD

That hand shall burn in never-quenching fire
That staggers thus my person. Exton, fierce hand
with the King’s blood stained the King’s own land.
Mount, mount, my soul! seat is up on high,
Whilst my gross flesh sinks downward, here to die.

EXTON

As full of valour as of royal blood!
Both have I spilled. O, would the deed were good!
For now the devil that told me I did well
Says that this deed is chronicled in hell.
This dead king to the living king I’ll bear.
Take the rest, and give them burial here.

All of Richard II

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4,

Act 4

Act 4, Scene 1,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3Act 5, Scene 4Act 5, Scene 5Act 5, Scene 6

Open Richard II in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.