King Lear

Act 2, Scene 2

Modern spelling. Stage directions omitted.

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OSWALD

Good dawning to , friend: art of this house?

KENT

Ay.

OSWALD

Where may we set our horses?

KENT

I’ the mire.

OSWALD

, if lov’st me, tell me.

KENT

I love not.

OSWALD

Why then, I care not for .

KENT

If I had in Lipsbury pinfold, I would make care for me.

OSWALD

Why use me thus? I know not.

KENT

Fellow, I know .

OSWALD

What know me for?

KENT

A ; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking ; a lily-livered, action-taking, whoreson, glass-gazing, super-serviceable, finical rogue; one trunk-inheriting slave; one that be a bawd in way of good service, and art nothing but the composition of a , beggar, coward, pander, and the son and heir of a mongrel bitch: one whom I will beat into clamorous whining, if deniest the least syllable of addition.

OSWALD

Why, what a monstrous fellow art , thus to rail on one that’s neither known of nor knows ?

KENT

What a brazen-faced varlet art , to deny knowest me! Is it two days ago since I tripped up heels and beat before the King? Draw, you rogue: for, though it be night, yet the moon shines; I’ll make a sop o’ the moonshine of you: draw, you whoreson cullionly barber-monger, draw!

OSWALD

Away! I have nothing to do with .

KENT

Draw, you rascal: you come with letters against the King; and take vanity the puppet’s part against the royalty of her father: draw, you rogue, or I’ll so carbonado your shanks:—draw, you rascal; come your ways!

OSWALD

Help, ho! murder! help!

KENT

Strike, you slave; stand, rogue, stand; you neat slave, strike!

OSWALD

Help, ho! murder! murder!

EDMUND

How now! What’s the matter? Part!

KENT

With you, goodman boy, if you please: come, I’ll flesh ; come on, young master.

GLOUCESTER

Weapons! arms! What’s the matter here?

CORNWALL

Keep peace, upon your lives, he dies that strikes again. What is the matter?

REGAN

The messengers from our sister and the King.

CORNWALL

What is your difference? Speak.

OSWALD

I am scarce in breath, my lord.

KENT

No marvel, you have so bestirr’d your valour. You cowardly rascal, nature disclaims in ; a tailor made .

CORNWALL

art a strange fellow: a tailor make a man?

KENT

Ay, a tailor, sir: a stonecutter or a painter could not have made him so ill, though he had been but two years at the trade.

CORNWALL

Speak yet, how grew your quarrel?

OSWALD

This ancient ruffian, sir, whose life I have spared at suit of his grey beard,—

KENT

whoreson zed! unnecessary letter! My lord, if you’ll give me leave, I will tread this unbolted villain into mortar and daub the walls of a jakes with him. Spare my grey beard, you wagtail?

CORNWALL

Peace, !
You beastly , know you no reverence?

KENT

Yes, sir; but anger a privilege.

CORNWALL

Why art angry?

KENT

That such a slave as this should wear a sword,
Who wears no honesty. Such smiling rogues as these,
Like rats, bite the holy cords a-twain
Which are too intrince t’unloose; smooth every passion
That in the natures of their lords rebel;
Bring oil to fire, snow to their colder moods;
Renege, affirm, and turn their halcyon beaks
With every gale and vary of their masters,
Knowing , like dogs, but following.
A plague upon your epileptic visage!
Smile you my speeches, as I were a fool?
Goose, if I had you upon Sarum plain,
I’d drive cackling home to Camelot.

CORNWALL

What, art mad, old fellow?

GLOUCESTER

How fell you out? Say that.

KENT

No contraries hold more antipathy
Than I and such a .

CORNWALL

Why call him ? What is his fault?

KENT

His countenance likes me not.

CORNWALL

No more does mine, or his, or hers.

KENT

Sir, my occupation to be plain:
I have seen better faces in my time
Than stands on any shoulder that I see
Before me at this instant.

CORNWALL

This is some fellow
Who, having been prais’d for bluntness, affect
A saucy roughness, and constrains the garb
Quite from his nature: he cannot flatter, he,
An honest mind and plain, he must speak truth!
An they will take it, so; if not, he’s plain.
These kind of knaves I know which in this plainness
Harbour more craft and more corrupter ends
Than twenty silly-ducking observants
That stretch their duties nicely.

KENT

Sir, in good faith, in sincere verity,
Under th’allowance of your great aspect,
Whose influence, like the wreath of radiant fire
On flickering Phoebus’ front,—

CORNWALL

What mean’st by this?

KENT

To go out of my dialect, which you discommend so much. I know, sir, I am no flatterer: he that beguiled you in a plain accent was a plain ; which, for my part, I will not be, though I should win your displeasure to entreat me to’t.

CORNWALL

What was the offence you gave him?

OSWALD

I never gave him any:
It pleas’d the King his master very late
To strike at me, upon his misconstruction;
When he, compact, and flattering his displeasure,
Tripp’d me behind; being down, insulted, rail’d
And put upon him such a deal of man,
That worthied him, got praises of the King
For him attempting who was self-subdu’d;
And, in the fleshment of this dread exploit,
Drew on me here again.

KENT

None of these rogues and cowards
But Ajax is their fool.

CORNWALL

Fetch forth the stocks!
You stubborn ancient , you reverent braggart,
We’ll teach you.

KENT

Sir, I am too old to learn:
Call not your stocks for me: I serve the King;
On whose employment I was sent to you:
You shall do small respect, show too bold malice
Against the grace and person of my master,
Stocking his messenger.

CORNWALL

Fetch forth the stocks!
As I have life and honour, there shall he sit till noon.

REGAN

Till noon! Till night, my lord; and all night too!

KENT

Why, madam, if I were your father’s dog,
You should not use me so.

REGAN

Sir, being his , I will.

CORNWALL

This is a fellow of the selfsame colour
Our sister speaks of. Come, bring away the stocks!

GLOUCESTER

Let me beseech your grace not to do so:
His fault is much, and the good King his master
Will check him for’t: your purpos’d low correction
Is such as basest and contemned’st wretches
For pilferings and most common trespasses,
Are punish’d with. The King must take it ill
That he, so slightly valued in his messenger,
Should have him thus restrained.

CORNWALL

I’ll answer that.

REGAN

My sister may receive it much more worse,
To have her gentleman abus’d, assaulted,
For following her affairs. Put in his legs.

CORNWALL

Come, my good lord, away.

GLOUCESTER

I am sorry for , friend; the Duke’s pleasure,
Whose disposition, all the world well knows,
Will not be rubb’d nor stopp’d; I’ll entreat for .

KENT

Pray do not, sir: I have watch’d, and travell’d hard;
Some time I shall sleep out, the rest I’ll whistle.
A good man’s fortune may grow out at heels:
Give you good morrow!

GLOUCESTER

The Duke’s to blame in this: ’twill be ill taken.

KENT

Good King, that must approve the common saw,
out of heaven’s benediction com’st
To the warm sun.
Approach, beacon to this under globe,
That by comfortable beams I may
Peruse this letter. Nothing almost sees miracles
But misery. I know from Cordelia,
Who most fortunately been inform’d
Of my obscured course. And shall find time
From this enormous state, seeking to give
Losses their remedies. All weary and o’erwatch’d,
Take vantage, heavy eyes, not to behold
This shameful lodging.
Fortune, good night: smile once more, turn wheel!

All of King Lear

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5Act 3, Scene 6Act 3, Scene 7,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3Act 4, Scene 4Act 4, Scene 5Act 4, Scene 6Act 4, Scene 7,

Act 5

Act 5, Scene 1Act 5, Scene 2Act 5, Scene 3

Open King Lear in the 1623 First Folio. See its words in the cloud.

Compare a quarto passage.

Modern spelling for reading. The edition is public domain in the United States. Edition source.