Antony and Cleopatra

Act 5, Scene 2

Modern spelling. Stage directions omitted.

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CLEOPATRA

My desolation does begin to make
A better life. paltry to be Caesar;
Not being Fortune, he’s but Fortune’s ,
A minister of her will. And it is great
To do that thing that ends all other deeds,
Which shackles accidents and bolts up change,
Which sleeps and never palates more the dung,
The beggar’s nurse and Caesar’s.

PROCULEIUS

Caesar sends greetings to the queen of Egypt,
And bids study on what fair demands
mean’st to have him grant .

CLEOPATRA

What’s name?

PROCULEIUS

My name is Proculeius.

CLEOPATRA

Antony
Did tell me of you, bade me trust you, but
I do not greatly care to be deceived
That have no use for trusting. If your master
Would have a queen his beggar, you must tell him
That majesty, to keep decorum, must
No less beg than a kingdom. If he please
To give me conquered Egypt for my son,
He gives me so much of mine own as I
Will kneel to him with thanks.

PROCULEIUS

Be of good cheer.
You are fallen into a princely hand; fear nothing.
Make your full reference freely to my lord,
Who is so full of grace that it flows over
On all that need. Let me report to him
Your sweet dependency, and you shall find
A conqueror that will pray in aid for kindness
Where he for grace is kneeled to.

CLEOPATRA

Pray you tell him
I am his fortune’s vassal and I send him
The greatness he has got. I hourly learn
A doctrine of obedience, and would gladly
Look him i’ th’ face.

PROCULEIUS

This I’ll report, dear lady.
Have comfort, for I know your plight is pitied
Of him that caused it.

PROCULEIUS

You see how easily she may be surprised.
Guard her till Caesar come.

IRAS

Royal queen!

CHARMIAN

O Cleopatra, art taken, queen!

CLEOPATRA

Quick, quick, good hands.

PROCULEIUS

Hold, worthy lady, hold!

PROCULEIUS

Do not yourself such wrong, who are in this
Relieved, but not betrayed.

CLEOPATRA

What, of death too,
That rids our dogs of languish?

PROCULEIUS

Cleopatra,
Do not abuse my master’s bounty by
Th’ undoing of yourself. Let the world see
His nobleness well acted, which your death
Will never let come forth.

CLEOPATRA

Where art , Death?
Come , come! Come, come, and take a queen
Worth many babes and beggars!

PROCULEIUS

O, temperance, lady!

CLEOPATRA

Sir, I will eat no meat; I’ll not drink, sir;
If idle talk will once be necessary,
I’ll not sleep neither. This mortal house I’ll ruin,
Do Caesar what he can. Know, sir, that I
Will not wait pinioned at your master’s court,
Nor once be chastised with the sober eye
Of dull Octavia. Shall they hoist me up
And show me to the shouting varletry
Of censuring Rome? Rather a ditch in Egypt
Be gentle grave unto me! Rather on Nilus’ mud
Lay me stark-naked, and let the water-flies
Blow me into abhorring! Rather make
My country’s high pyramides my gibbet
And hang me up in chains!

PROCULEIUS

You do extend
These thoughts of horror further than you shall
Find cause in Caesar.

DOLABELLA

Proculeius,
What done master Caesar knows,
And he sent for . For the queen,
I’ll take her to my guard.

PROCULEIUS

So, Dolabella,
It shall content me best. Be gentle to her.
To Caesar I will speak what you shall please,
If you’ll employ me to him.

CLEOPATRA

Say I would die.

DOLABELLA

Most noble empress, you have heard of me?

CLEOPATRA

I cannot tell.

DOLABELLA

Assuredly you know me.

CLEOPATRA

No matter, sir, what I have heard or known.
You laugh when boys or women tell their dreams;
Is’t not your trick?

DOLABELLA

I understand not, madam.

CLEOPATRA

I dreamt there was an Emperor Antony.
O, such another sleep, that I might see
But such another man!

DOLABELLA

If it might please you—

CLEOPATRA

His face was as the heavens, and therein stuck
A sun and moon, which kept their course, and lighted
The little O, the earth.

DOLABELLA

Most sovereign creature—

CLEOPATRA

His legs bestrid the ocean; his reared arm
Crested the world; his voice was propertied
As all the tuned spheres, and that to friends;
But when he meant to quail and shake the orb,
He was as rattling thunder. For his bounty,
There was no winter in’t; an autumn
That grew the more by reaping. His delights
Were dolphin-like; they showed his back above
The element they lived in. In his livery
Walked crowns and crownets; realms and islands were
As plates dropped from his pocket.

DOLABELLA

Cleopatra—

CLEOPATRA

Think you there was or might be such a man
As this I dreamt of?

DOLABELLA

Gentle madam, no.

CLEOPATRA

You lie up to the hearing of the gods!
But if there be nor ever were one such,
It’s past the size of dreaming. Nature wants stuff
To vie strange forms with fancy; yet t’ imagine
An Antony were nature’s piece ’gainst fancy,
Condemning shadows quite.

DOLABELLA

Hear me, good madam.
Your loss is, as yourself, great; and you bear it
As answering to the weight. Would I might never
O’ertake pursued success, but I do feel,
By the rebound of yours, a grief that smites
My very heart at root.

CLEOPATRA

I thank you, sir.
Know you what Caesar means to do with me?

DOLABELLA

I am loath to tell you what I would you knew.

CLEOPATRA

Nay, pray you, sir.

DOLABELLA

Though he be honourable—

CLEOPATRA

He’ll lead me, then, in triumph.

DOLABELLA

Madam, he will. I know it.

ALL

Make way there! Caesar!

CAESAR

Which is the Queen of Egypt?

DOLABELLA

It is the Emperor, madam.

CAESAR

Arise, you shall not kneel.
I pray you, rise. Rise, Egypt.

CLEOPATRA

Sir, the gods
Will have it thus. My master and my lord
I must obey.

CAESAR

Take to you no hard thoughts.
The record of what injuries you did us,
Though written in our flesh, we shall remember
As things but done by chance.

CLEOPATRA

Sole sir o’ th’ world,
I cannot project mine own cause so well
To make it clear, but do confess I have
Been laden with like frailties which before
Have often shamed our sex.

CAESAR

Cleopatra, know
We will extenuate rather than enforce.
If you apply yourself to our intents,
Which towards you are most gentle, you shall find
A benefit in this change; but if you seek
To lay on me a cruelty by taking
Antony’s course, you shall bereave yourself
Of my good purposes, and put your children
To that destruction which I’ll guard them from
If thereon you rely. I’ll take my leave.

CLEOPATRA

And may, through all the world. yours, and we,
Your scutcheons and your signs of conquest, shall
Hang in what place you please. Here, my good lord.

CAESAR

You shall advise me in all for Cleopatra.

CLEOPATRA

This is the brief of money, plate, and jewels
I am possessed of. exactly valued,
Not petty things admitted. Where’s Seleucus?

SELEUCUS

Here, madam.

CLEOPATRA

This is my treasurer. Let him speak, my lord,
Upon his peril, that I have reserved
To myself nothing. Speak the truth, Seleucus.

SELEUCUS

Madam, I had rather seal my lips
Than to my peril speak that which is not.

CLEOPATRA

What have I kept back?

SELEUCUS

Enough to purchase what you have made known.

CAESAR

Nay, blush not, Cleopatra. I approve
Your wisdom in the deed.

CLEOPATRA

See, Caesar! O, behold,
How pomp is followed! Mine will now be yours
And should we shift estates, yours would be mine.
The ingratitude of this Seleucus does
Even make me wild. O slave, of no more trust
Than love that’s hired! What, goest back?
Go back, I warrant ! But I’ll catch eyes
Though they had wings. Slave, soulless villain, dog!
O rarely base!

CAESAR

Good queen, let us entreat you.

CLEOPATRA

O Caesar, what a wounding shame is this,
That vouchsafing here to visit me,
Doing the honour of lordliness
To one so meek, that mine own servant should
Parcel the sum of my disgraces by
Addition of his envy! Say, good Caesar,
That I some lady trifles have reserved,
Immoment toys, things of such dignity
As we greet modern friends ; and say
Some nobler token I have kept apart
For Livia and Octavia, to induce
Their mediation, must I be unfolded
With one that I have bred? The gods! It smites me
Beneath the fall I have.
go ,
Or I shall show the cinders of my spirits
Through th’ ashes of my chance. Wert a man,
have mercy on me.

CAESAR

Forbear, Seleucus.

CLEOPATRA

Be it known that we, the greatest, are misthought
For things that others do; and when we fall,
We answer others’ merits in our name,
Are therefore to be pitied.

CAESAR

Cleopatra,
Not what you have reserved nor what acknowledged
Put we i’ th’ roll of conquest. Still be’t yours;
Bestow it at your pleasure, and believe
Caesar’s no merchant to make prize with you
Of things that merchants sold. Therefore be cheered;
Make not your thoughts your prisons. No, dear queen;
For we intend so to dispose you as
Yourself shall give us counsel. Feed and sleep.
Our care and pity is so much upon you
That we remain your friend; and so, adieu.

CLEOPATRA

My master and my lord!

CAESAR

Not so. Adieu.

CLEOPATRA

He words me, girls, he words me, that I should not
Be noble to myself. But hark , Charmian!

IRAS

Finish, good lady. The bright day is done,
And we are for the dark.

CLEOPATRA

Hie again.
I have spoke already, and it is provided.
Go put it to the haste.

CHARMIAN

Madam, I will.

DOLABELLA

Where’s the Queen?

CHARMIAN

Behold, sir.

CLEOPATRA

Dolabella!

DOLABELLA

Madam, as thereto sworn by your command,
Which my love makes religion to obey,
I tell you this: Caesar through Syria
Intends his journey, and within three days
You with your children will he send before.
Make your best use of this. I have performed
Your pleasure and my promise.

CLEOPATRA

Dolabella,
I shall remain your debtor.

DOLABELLA

I your servant.
Adieu, good queen. I must attend on Caesar.

CLEOPATRA

Farewell, and thanks.

CLEOPATRA

Now, Iras, what think’st ?
an Egyptian puppet shall be shown
In Rome as well as I. Mechanic slaves
With greasy aprons, rules, and hammers shall
Uplift us to the view. In their thick breaths,
Rank of gross diet, shall we be enclouded,
And forced to drink their vapour.

IRAS

The gods forbid!

CLEOPATRA

Nay, most certain, Iras. Saucy lictors
Will catch at us like strumpets, and scald rhymers
Ballad us out o’ tune. The quick comedians
Extemporally will stage us and present
Our Alexandrian revels; Antony
Shall be brought drunken forth, and I shall see
Some squeaking Cleopatra boy my greatness
I’ th’ posture of a whore.

IRAS

O the good gods!

CLEOPATRA

Nay, that’s certain.

IRAS

I’ll never see’t, for I am sure mine nails
Are stronger than mine eyes.

CLEOPATRA

Why, that’s the way
To fool their preparation and to conquer
Their most absurd intents.

CLEOPATRA

Now, Charmian!
Show me, my women, like a queen. Go fetch
My best attires. I am again for Cydnus
To meet Mark Antony. , Iras, go.
Now, noble Charmian, we’ll dispatch indeed,
And when done this chare, I’ll give leave
To play till doomsday. Bring our crown and all.

CLEOPATRA

Wherefore’s this noise?

GUARDSMAN

Here is a rural fellow
That will not be denied your highness’ presence.
He brings you figs.

CLEOPATRA

Let him come in.

CLEOPATRA

What poor an instrument
May do a noble deed! He brings me liberty.
My resolution’s placed, and I have nothing
Of woman in me. Now from head to foot
I am marble-constant. Now the fleeting moon
No planet is of mine.

GUARDSMAN

This is the man.

CLEOPATRA

Avoid, and leave him.

CLEOPATRA

the pretty worm of Nilus there
That kills and pains not?

CLOWN

Truly, I have him, but I would not be the party that should desire you to touch him, for his biting is immortal. Those that do die of it do seldom or never recover.

CLEOPATRA

Remember’st any that have died on’t?

CLOWN

Very many, men and women too. I heard of one of them no longer than yesterday—a very honest woman, but something given to lie; as a woman should not do but in the way of honesty—how she died of the biting of it, what pain she felt. Truly she makes a very good report o’ th’ worm; but he that will believe all that they say shall never be saved by half that they do. But this is most falliable, the worm’s an odd worm.

CLEOPATRA

Get . Farewell.

CLOWN

I wish you all joy of the worm.

CLEOPATRA

Farewell.

CLOWN

You must think this, look you, that the worm will do his kind.

CLEOPATRA

Ay, ay, farewell.

CLOWN

Look you, the worm is not to be trusted but in the keeping of wise people; for indeed there is no goodness in the worm.

CLEOPATRA

Take no care; it shall be heeded.

CLOWN

Very good. Give it nothing, I pray you, for it is not worth the feeding.

CLEOPATRA

Will it eat me?

CLOWN

You must not think I am so simple but I know the devil himself will not eat a woman. I know that a woman is a dish for the gods if the devil dress her not. But truly, these same whoreson devils do the gods great harm in their women, for in every ten that they make, the devils mar five.

CLEOPATRA

Well, get gone. Farewell.

CLOWN

Yes, . I wish you joy o’ th’ worm.

CLEOPATRA

Give me my robe. Put on my crown. I have
Immortal longings in me. Now no more
The juice of Egypt’s grape shall moist this lip.
Yare, yare, good Iras; quick. I hear
Antony call. I see him rouse himself
To praise my noble act. I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath. Husband, I come!
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life.—So, have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian. Iras, long farewell.

CLEOPATRA

Have I the aspic in my lips? fall?
If and nature can so gently part,
The stroke of death is as a lover’s pinch,
Which hurts and is desired. lie still?
If thus vanishest, tell’st the world
It is not worth leave-taking.

CHARMIAN

Dissolve, thick cloud, and rain, that I may say
The gods themselves do weep!

CLEOPATRA

This proves me base.
If she first meet the curled Antony,
He’ll make demand of her, and spend that kiss
Which is my heaven to have.—Come, mortal wretch,

CLEOPATRA

With sharp teeth this knot intrinsicate
Of life at once untie. Poor venomous fool,
Be angry and dispatch. O speak,
That I might hear call great Caesar ass
Unpolicied!

CHARMIAN

O eastern star!

CLEOPATRA

Peace, peace!
not see my baby at my breast
That sucks the nurse asleep?

CHARMIAN

O, break! O, break!

CLEOPATRA

As sweet as balm, as soft as air, as gentle—
O Antony!—Nay, I will take too.

CLEOPATRA

What should I stay—

CHARMIAN

In this vile world? So, fare well.
Now boast , Death, in possession lies
A lass unparalleled. Downy windows, close,
And golden Phœbus never be beheld
Of eyes again so royal! Your crown’s awry;
I’ll mend it and then play.

FIRST GUARD

Where’s the queen?

CHARMIAN

Speak softly. Wake her not.

FIRST GUARD

Caesar sent—

CHARMIAN

Too slow a messenger.

CHARMIAN

O, come apace, dispatch! I partly feel .

FIRST GUARD

Approach, ho! All’s not well. Caesar’s beguiled.

SECOND GUARD

There’s Dolabella sent from Caesar. Call him.

FIRST GUARD

What work is here, Charmian? Is this well done?

CHARMIAN

It is well done, and fitting for a princess
Descended of so many royal kings.
Ah, soldier!

DOLABELLA

How goes it here?

SECOND GUARD

All dead.

DOLABELLA

Caesar, thoughts
Touch their effects in this. Thyself art coming
To see performed the dreaded act which
So sought’st to hinder.

ALL

A way there, a way for Caesar!

DOLABELLA

O sir, you are too sure an augurer:
That you did fear is done.

CAESAR

Bravest at the last,
She levelled at our purposes and, being royal,
Took her own way. The manner of their deaths?
I do not see them bleed.

DOLABELLA

Who was last with them?

FIRST GUARD

A simple countryman that brought her figs.
This was his basket.

CAESAR

Poisoned then.

FIRST GUARD

O Caesar,
This Charmian lived but now; she stood and spake.
I found her trimming up the diadem
On her dead mistress; tremblingly she stood,
And on the sudden dropped.

CAESAR

O noble weakness!
If they had swallowed poison ’twould appear
By external swelling; but she looks like sleep,
As she would catch another Antony
In her strong toil of grace.

DOLABELLA

Here on her breast
There is a vent of blood, and something blown.
The like is on her arm.

FIRST GUARD

This is an aspic’s trail, and these fig leaves
Have slime upon them, such as th’ aspic leaves
Upon the caves of Nile.

CAESAR

Most probable
That so she died, for her physician tells me
She pursued conclusions infinite
Of easy ways to die. Take up her bed,
And bear her women from the monument.
She shall be buried by her Antony.
No grave upon the earth shall clip in it
A pair so famous. High events as these
Strike those that make them; and their story is
No less in pity than his glory which
Brought them to be lamented. Our army shall
In solemn show attend this funeral,
And then to Rome. Come, Dolabella, see
High order in this great solemnity.

All of Antony and Cleopatra

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3Act 1, Scene 4Act 1, Scene 5,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5Act 2, Scene 6Act 2, Scene 7,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5Act 3, Scene 6Act 3, Scene 7Act 3, Scene 8Act 3, Scene 9Act 3, Scene 10Act 3, Scene 11Act 3, Scene 12Act 3, Scene 13,

Act 4

Act 4, Scene 1Act 4, Scene 2Act 4, Scene 3Act 4, Scene 4Act 4, Scene 5Act 4, Scene 6Act 4, Scene 7Act 4, Scene 8Act 4, Scene 9Act 4, Scene 10Act 4, Scene 11Act 4, Scene 12Act 4, Scene 13Act 4, Scene 14Act 4, Scene 15,

Act 5

Act 5, Scene 1Act 5, Scene 2

Open Antony and Cleopatra in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.