The Winter's TaleShakespeare’s First Folio

Scans: Bodleian Libraries, Arch. G c.7.

About this play
Opening the Bodleian's First Folio…

The First Folio

Bodleian Libraries, University of Oxford
Original pages. A closer look.

Reading The Winter's Tale

Comedies · First Folio, 1623

The Winter's Tale begins with a royal friendship and follows the damage caused when Leontes treats his suspicion as knowledge. Hermione must answer an accusation whose force depends on her husband's authority rather than convincing evidence. The play later changes location, generation, and dramatic mood, but the consequences of that first judgment persist. Its final encounter with an apparently lifeless figure makes looking itself an action with emotional stakes. Read the Folio's directions closely without expecting them to settle everything a performance might show. The difference between hearing a report and witnessing a body matters throughout.

Camillo and Archidamus begin with courteous comparisons of Bohemia and Sicilia. Their conversation presents the kings' friendship as longstanding and sustained across distance. That account gives readers a baseline against which to measure the abrupt change in Leontes's interpretation of the people around him.

Context: The Winter's Tale at the Folger Shakespeare Library. Scans and transcription: Bodleian Libraries, Arch. G c.7.

On the opening page

The Winter's Tale in the Bodleian First Folio, fol. 2A1r
fol. 2A1r · Image 297. Bodleian Libraries, University of Oxford. CC BY-NC 4.0.
The Winters Tale.

Actus Primus. Scœna Prima.

[Act 1, Scene 1]

Enter Camillo and Archidamus.

Arch.

IF you shall chance (Camillo) to visit Bohemia, on
the like occasion whereon my seruices are now
on‑foot, you shall see (as I haue said) great dif­
ference betwixt our Bohemia, and your Sicilia.

Cam.

I thinke, this comming Summer, the King of
Sicilia meanes to pay Bohemia the Visitation, which hee
iustly owes him.

Arch.

Wherein our Entertainment shall shame vs: we
will be iustified in our Loues: for indeed———

Cam.

'Beseech you———

Arch.

Verely I speake it in the freedome of my know­
ledge: we cannot with such magnificence——— in so rare——
I know not what to say——— Wee will giue you sleepie
Drinkes, that your Sences (vn‑intelligent of our insuffi­
cience) may, though they cannot prayse vs, as little ac­
cuse vs.

Cam.

You pay a great deale to deare, for what’s giuen
freely.

Arch.

'Beleeue me, I speake as my vnderstanding in­
structs me, and as mine honestie puts it to vtterance.

Cam.

Sicilia cannot shew himselfe ouer‑kind to Bohe­
mia: They were trayn’d together in their Child‑hoods;
and there rooted betwixt them then such an affection,
which cannot chuse but braunch now. Since their more
mature Dignities, and Royall Necessities, made seperati­
on of their Societie, their Encounters (though not Perso­
nall) hath been Royally attornyed with enter‑change of
Gifts, Letters, louing Embassies, that they haue seem’d to
be together, though absent: shooke hands, as ouer a Vast;
and embrac’d as it were from the ends of opposed Winds.
The Heauens continue their Loues.

An opening excerpt from the Bodleian transcription, with original spelling retained. Continue in the reader. Text CC BY 3.0.

The plays

Thirty-six plays, in their printed order.

Examine the original

100%Source page

Scroll to explore the page. Use + and − to change magnification.

A book, opened.

This reader presents the Bodleian Libraries' digitized copy of Shakespeare's First Folio, published in 1623 (shelfmark Arch. G c.7). It contains 36 plays.

Original page images: Bodleian Libraries, University of Oxford, under CC BY-NC 4.0. Transcriptions: Bodleian First Folio, under CC BY 3.0.

Images are resized and framed for the book view, removing photographic margins where possible. Select a page or choose Full scans to see the complete photograph, including its original edges and measurement scale. Reading text retains original spelling. Editorial notes and running headers are omitted; [gap] marks missing text in the source. Stray encoding fragments are removed from the reading text. Image numbers follow the digitized volume, including covers and blank pages. They are not the book's printed page numbers.

This is an independent, noncommercial reading room for Sydney Shamblin Anderson's website. It does not imply endorsement by the University of Oxford or the Bodleian Libraries.

Make yourself at home

Use the arrow keys to turn pages, or open the contents to choose a play. Full scans removes perspective and shows the uncropped photographs. Reduced-motion preferences disable the page-turn animation.

Drag the space around the book to gently change its angle. Select a page to examine the scan.