The TempestShakespeare’s First Folio

Scans: Bodleian Libraries, Arch. G c.7.

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The First Folio

Bodleian Libraries, University of Oxford
Original pages. A closer look.

Reading The Tempest

Comedies · First Folio, 1623

A storm puts rank under pressure before Prospero appears. Sailors need room to work, while their passengers expect authority to travel with them. On the island, Prospero can arrange encounters and direct what others see, but his control depends on Ariel's service and Caliban's labour. Reading The Tempest in the First Folio makes those theatrical arrangements unusually visible: sounds, entrances, disappearances, and a masque all ask the reader to imagine bodies in performance. Begin with the shipwreck, then follow who is permitted to give orders and who must make those orders happen.

The first direction calls for thunder and lightning before the ship's master and boatswain enter. Notice how the arriving nobles interrupt the work of the crew. The opening printed page also begins the next scene, so a page turn and a change of scene are not the same event.

Context: The Tempest at the Folger Shakespeare Library. Scans and transcription: Bodleian Libraries, Arch. G c.7.

On the opening page

The Tempest in the Bodleian First Folio, fol. ²A1r
fol. ²A1r · Image 21. Bodleian Libraries, University of Oxford. CC BY-NC 4.0.
THE
TEMPEST

Actus primus, Scena prima.

[Act 1, Scene 1]

A tempestuous noise of Thunder and Lightning heard: En­
ter a Ship‑master, and a Boteswaine.

Master.

BOte‑swaine.

Botes.

Heere Master: What cheere?

Mast.

Good: Speake to th' Mariners: fall
too't, yarely, or we run our selves a ground,
bestirre, bestirre.

Exit.

Enter Mariners.

Botes.

Heigh my hearts, cheerely, cheerely my harts:
yare, yare: Take in the toppe‑sale: Tend to th'Masters
whistle: Blow till thou burst thy winde, if roome e­
nough.

Enter Alonso, Sebastian, Anthonio, Ferdinando,
Gonzalo, and others.

Alon.

Good Boteswaine haue care: where's the Ma­
ster? Play the men.

Botes.

I pray now keepe below.

Anth.

Where is the Master, Boson?

Botes:

Do you not heare him? you marre our labour,
Keepe your Cabines: you do assist the storme.

Gonz.

Nay, good be patient.

Botes.

When the Sea is: hence, what cares these roa­
rers for the name of King? to Cabine; silence: trouble
vs not.

Gon.

Good, yet remember whom thou hast aboord.

Botes.

None that I more loue then my selfe. You are
a Counsellor, if you can command these Elements to si­
lence, and worke the peace of the present, wee will not
hand a rope more, vse your authoritie: If you cannot,
giue thankes you haue liu'd so long, and make your
selfe readie in your Cabine for the mischance of the
houre, if it so hap. Cheerely good hearts: out of our
way I say.

Exit.

Gon.

I haue great comfort from this fellow: methinks
he hath no drowning marke vpon him, his complexion
is perfect Gallowes: stand fast good Fate to his han­

An opening excerpt from the Bodleian transcription, with original spelling retained. Continue in the reader. Text CC BY 3.0.

The plays

Thirty-six plays, in their printed order.

Examine the original

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This reader presents the Bodleian Libraries' digitized copy of Shakespeare's First Folio, published in 1623 (shelfmark Arch. G c.7). It contains 36 plays.

Original page images: Bodleian Libraries, University of Oxford, under CC BY-NC 4.0. Transcriptions: Bodleian First Folio, under CC BY 3.0.

Images are resized and framed for the book view, removing photographic margins where possible. Select a page or choose Full scans to see the complete photograph, including its original edges and measurement scale. Reading text retains original spelling. Editorial notes and running headers are omitted; [gap] marks missing text in the source. Stray encoding fragments are removed from the reading text. Image numbers follow the digitized volume, including covers and blank pages. They are not the book's printed page numbers.

This is an independent, noncommercial reading room for Sydney Shamblin Anderson's website. It does not imply endorsement by the University of Oxford or the Bodleian Libraries.

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