Julius CaesarShakespeare’s First Folio

Scans: Bodleian Libraries, Arch. G c.7.

About this play
Opening the Bodleian's First Folio…

The First Folio

Bodleian Libraries, University of Oxford
Original pages. A closer look.

Reading Julius Caesar

Tragedies · First Folio, 1623

Julius Caesar dramatises an assassination whose justification remains contested by those who perform it and those who survive it. Brutus attempts to distinguish public duty from personal hostility, but the murder does not give him control over its meaning. Speeches, bodies, and the responses of a crowd become means of deciding what Rome has witnessed. In the Folio, follow how an audience is formed inside the play. The citizens are not merely present for public events; their reactions help determine what political action can follow from an account of those events.

The play opens with tribunes confronting working people in the street. Questions about clothing and occupation become an argument over why the citizens are celebrating. Caesar's public standing is therefore introduced through a dispute about spectators and allegiance before Caesar himself enters the action.

Context: Julius Caesar at the Folger Shakespeare Library. Scans and transcription: Bodleian Libraries, Arch. G c.7.

On the opening page

Julius Caesar in the Bodleian First Folio, fol. kk1r
fol. kk1r · Image 719. Bodleian Libraries, University of Oxford. CC BY-NC 4.0.
THE TRAGEDIE OF
IVLIVS CæSAR

Actus Primus. Scœna Prima.

[Act 1, Scene 1]

Enter Flauius, Murellus, and certaine Commoners
ouer the Stage.

Flauius.

HEnce: home you idle Creatures, get you home:

Is this a Holiday? What, know you not

(Being Mechanicall) you ought not walke

Vpon a labouring day, without the signe

Of your Profession? Speake, what Trade art thou?

Car.

Why Sir, a Carpenter.

Mur.

Where is thy Leather Apron, and thy Rule?

What dost thou with thy best Apparrell on?

You sir, what Trade are you?

Cobl.

Truely Sir, in respect of a fine Workman, I am
but as you would say, a Cobler.

Mur.

But what Trade art thou? Answer me directly.

Cob.

A Trade Sir, that I hope I may vse, with a safe
Conscience, which is indeed Sir, a Mender of bad soules.

Fla.

What Trade thou knaue? Thou naughty knaue,
what Trade?

Cobl.

Nay I beseech you Sir, be not out with me: yet
if you be out Sir, I can mend you.

Mur.

What mean'st thou by that? Mend mee, thou
sawcy Fellow?

Cob.

Why sir, Cobble you.

Fla.

Thou art a Cobler, art thou?

Cob.

Truly sir, all that I liue by, is with the Aule: I
meddle with no Tradesmans matters, nor womens mat­
ters; but withal I am indeed Sir, a Surgeon to old shooes:
when they are in great danger, I recouer them. As pro­
per men as euer trod vpon Neats Leather, haue gone vp­
on my handy‑worke.

Fla.

But wherefore art not in thy Shop to day?

Why do'st thou leade these men about the streets?

Cob.

Truly sir, to weare out their shooes, to get my
selfe into more worke. But indeede sir, we make Holy­

An opening excerpt from the Bodleian transcription, with original spelling retained. Continue in the reader. Text CC BY 3.0.

The plays

Thirty-six plays, in their printed order.

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This reader presents the Bodleian Libraries' digitized copy of Shakespeare's First Folio, published in 1623 (shelfmark Arch. G c.7). It contains 36 plays.

Original page images: Bodleian Libraries, University of Oxford, under CC BY-NC 4.0. Transcriptions: Bodleian First Folio, under CC BY 3.0.

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