The Merchant of Venice

Act 5, Scene 1

Modern spelling. Stage directions omitted.

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LORENZO

The moon shines bright. In such a night as this,
When the sweet wind did gently kiss the trees,
And they did make no noise, in such a night,
Troilus mounted the Trojan walls,
And sigh’d his soul toward the Grecian tents
Where Cressid lay that night.

JESSICA

In such a night
Did Thisbe fearfully o’ertrip the dew,
And saw the lion’s shadow himself,
And ran dismay’d away.

LORENZO

In such a night
Stood Dido with a willow in her hand
Upon the wild sea-banks, and waft her love
To come again to Carthage.

JESSICA

In such a night
Medea gathered the enchanted herbs
That did renew old Æson.

LORENZO

In such a night
Did Jessica steal from the wealthy Jew,
And with an unthrift love did run from Venice
As far as Belmont.

JESSICA

In such a night
Did young Lorenzo swear he loved her well,
Stealing her soul with many vows of faith,
And a true one.

LORENZO

In such a night
Did pretty Jessica, like a little shrew,
Slander her love, and he forgave it her.

JESSICA

I would out-night you did no body come;
But hark, I hear the footing of a man.

LORENZO

Who comes so fast in silence of the night?

STEPHANO

A friend.

LORENZO

A friend! What friend? Your name, I pray you, friend?

STEPHANO

Stephano is my name, and I bring word
My mistress will before the break of day
Be here at Belmont. She stray about
By holy crosses where she kneels and prays
For happy wedlock hours.

LORENZO

Who comes with her?

STEPHANO

None but a holy hermit and her maid.
I pray you is my master yet return’d?

LORENZO

He is not, nor we have not heard from him.
But go we in, I pray , Jessica,
And ceremoniously let us prepare
Some welcome for the mistress of the house.

LAUNCELET

Sola, sola! wo ha, ho! sola, sola!

LORENZO

Who calls?

LAUNCELET

Sola! Did you see Master Lorenzo? Master Lorenzo! Sola, sola!

LORENZO

Leave holloaing, man. Here!

LAUNCELET

Sola! Where, where?

LORENZO

Here!

LAUNCELET

Tell him there’s a post come from my master with his horn full of good news. My master will be here morning.

LORENZO

Sweet soul, let’s in, and there expect their coming.
And yet no matter; why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand,
And bring your music forth into the air.

LORENZO

How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears; soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patens of bright gold.
There’s not the smallest orb which behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls,
But whilst this muddy vesture of decay
grossly close it in, we cannot hear it.

LORENZO

Come, ho! and wake Diana with a hymn.
With sweetest touches pierce your mistress’ ear,
And draw her home with music.

JESSICA

I am never merry when I hear sweet music.

LORENZO

The reason is, your spirits are attentive.
For do but note a wild and wanton herd
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood,
If they but hear a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn’d to a modest gaze
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones, and floods,
Since so stockish, hard, and full of rage,
But music for the time change his nature.
The man that no music in himself,
Nor is not mov’d with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted. Mark the music.

PORTIA

That light we see is burning in my hall.
How far that little candle throws his beams!
So shines a good deed in a naughty world.

NERISSA

When the moon shone we did not see the candle.

PORTIA

So the greater glory dim the less.
A substitute shines brightly as a king
Until a king be by, and then his state
Empties itself, as an inland brook
Into the main of waters. Music! hark!

NERISSA

It is your music, madam, of the house.

PORTIA

Nothing is good, I see, without respect.
it sounds much sweeter than by day.

NERISSA

Silence bestows that virtue on it, madam.

PORTIA

The crow sing as sweetly as the lark
When neither is attended; and I think
The nightingale, if she should sing by day
When every goose is cackling, would be thought
No better a musician than the wren.
How many things by season season’d are
To their right praise and true perfection!
Peace! How the moon sleeps with Endymion,
And would not be awak’d!

LORENZO

That is the voice,
Or I am much deceiv’d, of Portia.

PORTIA

He knows me as the blind man knows the cuckoo,
By the bad voice.

LORENZO

Dear lady, welcome home.

PORTIA

We have been praying for our husbands’ welfare,
Which speed, we hope, the better for our words.
Are they return’d?

LORENZO

Madam, they are not yet;
But there is come a messenger before
To signify their coming.

PORTIA

Go in, Nerissa.
Give order to my servants, that they take
No note at all of our being absent ,
Nor you, Lorenzo; Jessica, nor you.

LORENZO

Your husband is at hand, I hear his trumpet.
We are no tell-tales, madam, fear you not.

PORTIA

This night is but the daylight sick,
It looks a little paler. a day
Such as the day is when the sun is hid.

BASSANIO

We should hold day with the Antipodes,
If you would walk in absence of the sun.

PORTIA

Let me give light, but let me not be light,
For a light wife make a heavy husband,
And never be Bassanio so for me.
But God sort all! You are welcome home, my lord.

BASSANIO

I thank you, madam. Give welcome to my friend.
This is the man, this is Antonio,
To whom I am so infinitely bound.

PORTIA

You should in all sense be much bound to him,
For, as I hear, he was much bound for you.

ANTONIO

No more than I am well acquitted of.

PORTIA

Sir, you are very welcome to our house.
It must appear in other ways than words,
Therefore I scant this breathing courtesy.

GRATIANO

By yonder moon I swear you do me wrong,
In faith, I gave it to the judge’s clerk.
Would he were gelt that had it, for my part,
Since you do take it, love, so much at heart.

PORTIA

A quarrel, ho, already! What’s the matter?

GRATIANO

About a hoop of gold, a paltry ring
That she did give me, whose posy was
For all the world like cutlers’ poetry
Upon a knife, “Love me, and leave me not.”

NERISSA

What talk you of the posy, or the value?
You swore to me when I did give it you,
That you would wear it till your hour of death,
And that it should lie with you in your grave.
Though not for me, yet for your vehement oaths,
You should have been respective and have kept it.
Gave it a judge’s clerk! No, God’s my judge,
The clerk will wear hair on’s face that had it.

GRATIANO

He will, and if he live to be a man.

NERISSA

Ay, if a woman live to be a man.

GRATIANO

Now, by this hand, I gave it to a youth,
A kind of boy, a little scrubbed boy,
No higher than thyself, the judge’s clerk,
A prating boy that begg’d it as a fee,
I could not for my heart deny it him.

PORTIA

You were to blame,—I must be plain with you,—
To part so slightly with your wife’s first gift,
A thing stuck on with oaths upon your finger,
And so riveted with faith unto your flesh.
I gave my love a ring, and made him swear
Never to part with it, and here he stands.
I dare be sworn for him he would not leave it
Nor pluck it from his finger for the wealth
That the world masters. Now, in faith, Gratiano,
You give your wife too unkind a cause of grief,
An ’twere to me I should be mad at it.

BASSANIO

Why, I were best to cut my left hand off,
And swear I lost the ring defending it.

GRATIANO

My Lord Bassanio gave his ring away
Unto the judge that begg’d it, and indeed
Deserv’d it too. And then the boy, his clerk,
That took some pains in writing, he begg’d mine,
And neither man nor master would take
But the two rings.

PORTIA

What ring gave you, my lord?
Not that, I hope, which you receiv’d of me.

BASSANIO

If I could add a lie unto a fault,
I would deny it, but you see my finger
not the ring upon it, it is gone.

PORTIA

Even so void is your false heart of truth.
By heaven, I will come in your bed
Until I see the ring.

NERISSA

Nor I in yours
Till I again see mine!

BASSANIO

Sweet Portia,
If you did know to whom I gave the ring,
If you did know for whom I gave the ring,
And would conceive for what I gave the ring,
And how unwillingly I left the ring,
When nought would be accepted but the ring,
You would abate the strength of your displeasure.

PORTIA

If you had known the virtue of the ring,
Or half her worthiness that gave the ring,
Or your own honour to contain the ring,
You would not then have parted with the ring.
What man is there so much unreasonable,
If you had pleas’d to have defended it
With any terms of zeal, wanted the modesty
To urge the thing held as a ceremony?
Nerissa teaches me what to believe:
I’ll die for’t but some woman had the ring.

BASSANIO

No, by my honour, madam, by my soul,
No woman had it, but a civil doctor,
Which did refuse three thousand ducats of me,
And begg’d the ring, the which I did deny him,
And suffer’d him to go displeas’d away,
Even he that had held up the very life
Of my dear friend. What should I say, sweet lady?
I was enforc’d to send it after him.
I was beset with shame and courtesy.
My honour would not let ingratitude
So much besmear it. Pardon me, good lady;
For by these blessed candles of the night,
Had you been there, I think you would have begg’d
The ring of me to give the worthy doctor.

PORTIA

Let not that doctor e’er come near my house,
Since he got the jewel that I loved,
And that which you did swear to keep for me,
I will become as liberal as you,
I’ll not deny him anything I have,
No, not my body, nor my husband’s bed.
Know him I shall, I am well sure of it.
Lie not a night from home. Watch me like Argus,
If you do not, if I be left alone,
Now by mine honour which is yet mine own,
I’ll have that doctor for mine bedfellow.

NERISSA

And I his clerk. Therefore be well advis’d
How you do leave me to mine own protection.

GRATIANO

Well, do you so. Let not me take him then,
For if I do, I’ll mar the young clerk’s pen.

ANTONIO

I am th’ unhappy subject of these quarrels.

PORTIA

Sir, grieve not you. You are welcome notwithstanding.

BASSANIO

Portia, forgive me this enforced wrong,
And in the hearing of these many friends
I swear to , even by own fair eyes,
Wherein I see myself—

PORTIA

Mark you but that!
In both my eyes he doubly sees himself,
In each eye one. Swear by your double self,
And there’s an oath of credit.

BASSANIO

Nay, but hear me.
Pardon this fault, and by my soul I swear
I never more will break an oath with .

ANTONIO

I once did lend my body for his wealth,
Which but for him that had your husband’s ring
Had quite miscarried. I dare be bound again,
My soul upon the forfeit, that your lord
Will never more break faith advisedly.

PORTIA

Then you shall be his surety. Give him this,
And bid him keep it better than the other.

ANTONIO

Here, Lord Bassanio, swear to keep this ring.

BASSANIO

By heaven, it is the same I gave the doctor!

PORTIA

I had it of him: pardon me, Bassanio,
For by this ring, the doctor lay with me.

NERISSA

And pardon me, my gentle Gratiano,
For that same scrubbed boy, the doctor’s clerk,
In lieu of this, last night did lie with me.

GRATIANO

Why, this is like the mending of highways
In summer, where the ways are fair enough.
What, are we cuckolds we have deserv’d it?

PORTIA

Speak not so grossly. You are all amaz’d.
Here is a letter; read it at your leisure.
It comes from Padua from Bellario.
There you shall find that Portia was the doctor,
Nerissa there, her clerk. Lorenzo here
Shall witness I set forth as soon as you,
And even but now return’d. I have not yet
Enter’d my house. Antonio, you are welcome,
And I have better news in store for you
Than you expect: unseal this letter soon.
There you shall find three of your argosies
Are richly come to harbour suddenly.
You shall not know by what strange accident
I chanced on this letter.

ANTONIO

I am dumb.

BASSANIO

Were you the doctor, and I knew you not?

GRATIANO

Were you the clerk that is to make me cuckold?

NERISSA

Ay, but the clerk that never means to do it,
Unless he live until he be a man.

BASSANIO

Sweet doctor, you shall be my bedfellow.
When I am absent, then lie with my wife.

ANTONIO

Sweet lady, you have given me life and living;
For here I read for certain that my ships
Are safely come to road.

PORTIA

How now, Lorenzo!
My clerk some good comforts too for you.

NERISSA

Ay, and I’ll give them him without a fee.
There do I give to you and Jessica,
From the rich Jew, a special deed of gift,
After his death, of all he dies possess’d of.

LORENZO

Fair ladies, you drop manna in the way
Of starved people.

PORTIA

It is almost morning,
And yet I am sure you are not satisfied
Of these events at full. Let us go in,
And charge us there upon inter’gatories,
And we will answer all things faithfully.

GRATIANO

Let it be so. The first inter’gatory
That my Nerissa shall be sworn on is,
Whether till the next night she had rather stay,
Or go to bed now, being two hours to day.
But were the day come, I should wish it dark
Till I were couching with the doctor’s clerk.
Well, while I live, I’ll fear no other thing
So sore as keeping safe Nerissa’s ring.

All of The Merchant of Venice

Act 1

Act 1, Scene 1Act 1, Scene 2Act 1, Scene 3,

Act 2

Act 2, Scene 1Act 2, Scene 2Act 2, Scene 3Act 2, Scene 4Act 2, Scene 5Act 2, Scene 6Act 2, Scene 7Act 2, Scene 8Act 2, Scene 9,

Act 3

Act 3, Scene 1Act 3, Scene 2Act 3, Scene 3Act 3, Scene 4Act 3, Scene 5,

Act 4

Act 4, Scene 1Act 4, Scene 2,

Act 5

Act 5, Scene 1

Open The Merchant of Venice in the 1623 First Folio. See its words in the cloud.

Modern spelling for reading. The edition is public domain in the United States. Edition source.